The parents are away for a few days, Alex is in charge but cares only for his date Monica, so he wants the girls out; Mallory 'drives' straight into a telephone pole, now they must come up with some ...
Alex starts his sophomore year looking for a girlfriend in the freshman directory. He meets Tricia who seems to be everything he wants. However, after a spat with Tricia's roommate, Ellen, Alex finds...
Tony Micelli, a retired baseball player, becomes the housekeeper of Angela Bower, an advertising executive in New York. Together they raise their kids, Samantha Micelli and Jonathon Bower, with help from Mona Robinson, Angela's man-crazy mother.
Punky Brewster is a show about a girl named Penelope "Punky" Brewster. She is abandoned with her dog, Brandon, in a supermarket by her mother. She doesn't want to stay in an orphanage, and ... See full summary »
Soleil Moon Frye,
Steven and Elyse Keaton, once 1960s radicals, now find themselves in Reagan-era American trying to raise a traditional suburban family. Their three first kids are Alex (a very ambitious Young Republican), Mallory (a ditzy and boy-crazy fashionista) and Jennifer (whom we first get to know as a precocious nine-year-old tomboy). Later on, a fourth child (Andrew) was added to the Keaton family. Most of the comedy arose from the conflict between the ex-hippie parents vs the conservative Alex and the brainless beauty Mallory.
Michael J. Fox was approached during the second season about starring in Back to the Future (1985), but executive producer Gary David Goldberg would not allow Fox the time off to make the film. Because of delays in the film, Fox was approached again during the third season; this time, Goldberg and the film's producers worked out a schedule that would allow Fox to work on both projects simultaneously. Mondays to Thursdays, Fox would rehearse for the series during the day, and work on the film all night. On Friday nights, the series would tape their episodes. As soon taping finished, he would go to the film's set and work all weekend. See more »
[drunken Ned throws newspaper clipping in the fireplace]
Alex P. Keaton:
Hey, don't do that. Here give me those.
Leave me alone!
Alex P. Keaton:
Give me those!
LEAVE ME ALONE!
What the hell are you doing?
I don't know. I don't know. I'm sorry. Sorry, Alex.
[quietly, but furious]
All right, Ned. That's it. It's over. Right now, either you get some help... or you get the hell outta my house.
See more »
The complete opening credit sequences in each episode were cut from one minute to thirty seconds in syndication. Episodes now airing on Nick at Nite have restored the complete opening credit sequences. Original syndication episodes released in 1987 retain their original versions of the Paramount Pictures ID Jingle. Current Nick at Nite episodes feature the current Paramount TV ID. See more »
Two former 1960s left-wing hippies (Michael Gross and Meredith Baxter) try to rear their children (Michael J. Fox, Justine Bateman and Tina Yothers) in the 1980s and naturally have problem after problem in "Family Ties", one of the more memorable television successes of that impressive boob-tube decade. The show ran from 1982 to 1989 and even added another child (youngster Brian Bonsall) by the middle of its run. When the show premiered in 1982 it just could not generate any substantial interest ("Cheers" had the same problem during its initial year). After that though it was all peaches and cream as the series dominated on Sunday evenings and was consistently a top 5 or 10 show each week until they exited quietly (of its own free will after eight years). Fox and Bateman were definitely the two who dominated the show. Fox was a Republican-styled teen who seemed to only care about money and social status while Bateman was a polar opposite. She was a ditsy teen who seemed to care more about makeup, clothes, boys and being popular (in other words she was a normal youngster). Every cast member had their moments, but the series was not all fun and games. It consistently had "special" episodes where life crept into the family's crazed television world. Another of those NBC products from the 1980s that survives due to its performers and its intelligence. 4 stars out of 5.
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