While trying to understand a frightening reoccurring nightmare, a pledge is coaxed into breaking into her father's department store by her sorority sisters, where a deranged killer targets the girls and their boyfriends.
Three college girls on their way to a jazz festival crash their car in the isolated woods during a rainstorm, and are taken in by a mysterious family in an old mansion. Little do the girls know, the family has a dark, murderous secret.
Deborah Ballin is a controversial middle-aged TV journalist, who is campaigning on air on behalf of a battered woman who murdered her abusive husband, claiming justifiable defense against the so-called victim. But her outspoken views championing women's rights incense one of the studio's cleaning staff, closet homicidal psycho (and misogynist) Colt Hawker whose deep seated despising all all things female occurred from seeing his Mother throwing boiling oil in the face of his abusive Father when he was a small child (and who's M.O. is to photograph victims he stabs as they're spasming to death). So much so that he decides there and then to shut her up...PERMANENTLY! Managing to beat her home, he soon dispatches her maid Francine, before turning his rage onto her as she come home (greeting her in only wearing her jewelry and make-up). Despite the brutal injuries he lashes out on her, she manages to survive and is rushed off to hospital. But undaunted he catches up to her in hospital and...Written by
The films French title "Terreur a l'hoptial central" translates to The Terror of Central Hospital. See more »
During Deborah's surgery (at around 50 mins), the boom mic gets close to her face as the sedation takes effect and she speaks drowsily. See more »
[On the letters framed on Colt's wall]
God, you blast them all: blacks, Jews, Mexicans...
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The film was listed as one of the original DPP 74 UK video nasties. UK cinema and video versions were cut by the BBFC to edit a scene where Colt traces his knife across Lisa before slashing her clothing and shots of Colt kicking Sheila as he photographs her. The uncut version was shown on ITV in 1989 by mistake and the company was publicly rebuked by the Broadcasting Standards Council. See more »
One of the better Canadian killer-thrillers of the 80's is this solid shocker.
TV journalist is attacked by a maniac and taken to the hospital, now the obsessive creep is determined to make sure she doesn't get well soon!
Visiting Hours is a film that, like most slasher films of the 80's, has gotten a bad reputation from critics. However this film is much more than mere slasher garbage! Visiting Hours is a thriller that takes its time to build true suspense, a well-paced plot, and some believable characters. It's a film that, unlike most of the genre, focuses upon the warped character of its villain rather than on the would-be victims. The murder sequences are effectively disturbing, but not overly gory.
The direction of Jean Claude Lord, along with an unsettling music score, combine to make an atmospheric sense of dread through out the film. It manages to make even the sprawling corridors of the hospital setting into a claustrophobic maze. It makes for some nicely suspenseful attack/chase scenes.
The biggest highlight of this film comes from its cast though. Lee Grant is strong as the feminist TV journalist that becomes the target to the killer. Linda Purl does a good turn as a caring nurse, as does Lenore Zann as a street-wise teen. Greatest of all though is villain Michael Ironside. Ironside makes for a truly creepy and compelling murderer. He truly steals the show.
For those that are seeking a slasher film with a bit more of an intelligence to it, Visiting Hours is a fine choice. Don't listen to the critics on this one folks - it's a better film than you may have heard.
*** out of ****
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