While trying to understand a frightening reoccurring nightmare, a pledge is coaxed into breaking into her father's department store by her sorority sisters, where a deranged killer targets the girls and their boyfriends.
Siblings, Eric & his surreal artist sister Kay, her doctor husband David, her sister-in-law Brooke along with pilot Marsh become stranded on a rugged isle face off against a supernatural beast drawn to Kay who dreams of its killings.
Three college girls on their way to a jazz festival crash their car in the isolated woods during a rainstorm, and are taken in by a mysterious family in an old mansion. Little do the girls know, the family has a dark, murderous secret.
Deborah Ballin is a controversial middle-aged TV journalist, who is campaigning on air on behalf of a battered woman who murdered her abusive husband, claiming justifiable defense against the so-called victim. But her outspoken views championing women's rights incense one of the studio's cleaning staff, closet homicidal psycho (and misogynist) Colt Hawker whose deep seated despising all all things female occurred from seeing his Mother throwing boiling oil in the face of his abusive Father when he was a small child (and who's M.O. is to photograph victims he stabs as they're spasming to death). So much so that he decides there and then to shut her up...PERMANENTLY! Managing to beat her home, he soon dispatches her maid Francine, before turning his rage onto her as she come home (greeting her in only wearing her jewelry and make-up). Despite the brutal injuries he lashes out on her, she manages to survive and is rushed off to hospital. But undaunted he catches up to her in hospital and...Written by
The movie's "Visiting Hours" title logo printed in white lettering colored the letter "R" in red to evoke blood and shaped the character as well with a long serif crossed with a line to evoke both an injection syringe and intravenous drip. See more »
(at around 45 mins) Michael Ironside's character dashes through a bathroom door in the hospital, and the camera and 2-3 crew members are briefly reflected in the mirror above the sink, before he closes the door. See more »
[On the letters framed on Colt's wall]
God, you blast them all: blacks, Jews, Mexicans...
See more »
The film was listed as one of the original DPP 74 UK video nasties. UK cinema and video versions were cut by the BBFC to edit a scene where Colt traces his knife across Lisa before slashing her clothing and shots of Colt kicking Sheila as he photographs her. The uncut version was shown on ITV in 1989 by mistake and the company was publicly rebuked by the Broadcasting Standards Council. See more »
VISITING HOURS is a largely laughed-at serial killer flick starring Michael Ironside. I suppose many of the laughs generate from William Shatner being in the film, playing a concerned boyfriend. I've never understood the fixation with Shatner as a comedy figure. Shatner is OK in his role, playing it completely straight and not completely terribly. It seems in getting fixated on the (in my view, non-existent) laughs from Shatner, viewers seem to have a blind spot to a lot of good things that VISITING HOURS achieves.
Ironside is strong as the killer (Colt Hawker), whose desire to kill comes from a terrible childhood and an abusive father. He identifies with his father, and loathes women because his mother threw boiling water over his Pa's face. Seems a bit of a stretch, but it wouldn't be the first time sometimes chosen the abuser over the person they abuse.
Colt becomes a misogynist, and turns his attention onto Deborah Ballin, who speaks out against violence towards women. She's a little militant about it and annoys a few people, so it's hard for the cops to figure out that Colt is the one hunting her down.
Some of the kill scenes are genuinely affecting. Colt likes to takes pictures of his victims as they're dying, and one - where he pulls a breathing tube from an elderly lady - is harrowing. Don't forget that Ironside was great in STARSHIP TROPPERS and brilliant in TOTAL RECALL as the supremely slimy Richter, and he excels in a similar role here. It's pretty baffling why Ironside ended up in TV series/movie hell given his excellence in playing the bad guy. Just the luck of the draw.
But the main plus of VISITING HOURS is that it's incredibly well shot. It's wildly voyeuristic, with lots of uncomfortable close-ups and point-of-view shots... and lots of lingering on people's suffering. The director - Jean-Claude Lord - has made nothing else of note. Even his name rhymes in a comedic way. Lord started out in France, then ended up doing US TV movies. But VISITING HOURS has a slight Hitchcock vibe and the level of voyeurism that makes you feel a little grubby just watching the damn movie.
I'm not saying VISITING HOURS is a classic. It's not up there with HENRY, and it's not up there with the next rung of excellent serial killer movies... say something like ANGST or HIGHWAYMEN. The pacing is a little laboured, and there are passages of ropey dialogue. But VISITING HOURS is a very good movie. It certainly is stupidly underrated, and is definitely worth checking out for a well-directed slice of slimy horror.
15 of 19 people found this review helpful.
Was this review helpful to you?
| Report this