Trausti returns to Iceland just in time to be entangled in a family feud over a stranded whale-cadaver. His mother (the family head) is mortally wounded and Grim kills Erikur; the other ... See full summary »
Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home... See full summary »
Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the ... See full summary »
Björn Jörundur Friðbjörnsson,
Thorarinn Oskar Thorarinsson
Norway in the 10th century. Askur, son of the powerful Thorgeir marries Embla, daughter of one of the few remaining landowners in Norway, in a pagan ceremony. King Olav, a ruthless ... See full summary »
Despite earlier promises to pass his crown to one of his Flemish, Viking, or Norman relatives, English King Edward the Confessor dies in 1066, leaving his crown to Anglo-Saxon Harold Godwinson, causing a bloody succession war.
This movie does a lot of things right, especially considering the budget (etc) of the filmmakers. The music fits the bill really well, the Icelandic language and scenery is beautiful and about as authentic as you can get. Basing the story upon a saga, and using its conflict is also a good move. Even the costumes and weapons looks authentic, even though I do not know enough about this to judge. Having all of these elements in place, together with some of the stylistic choices made, makes for the perfect formula of a new kind of movie: the viking movie. Taking the best parts from the "spaghetti western"-genre and putting it into a completely different environment, basing it on completely different material, and do an honest attempt to be historically accurate. Sadly, few movies followed this movie's footstep, and so we are (mostly) stuck with horned helmets and giant berserkers.
The problem with this movie is its story. Its taken from the sagas, but they could have made a bit more effort in making it understandable for an audience not familiar with the sagas. There's many characters that's hard to keep track of, and rituals that's not properly explained. You do get the gist of it by watching the movie, but I can imagine some quite simple steps, like more obvious visual cues separating the characters (like how the three main players in the good, the bad and the ugly are all very distinct) and a bit more establishing of the characters and relationships in the beginning of the movie.
All in all, this movie does a lot right, and I wish other filmmakers would follow up the foundation laid by this movie. We should have more (viking) movies like this.
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