Frank is an expert professional safecracker, specializing in high-profile diamond jobs. After having spent many years in prison, he has a very concrete picture of what he wants out of life--including a nice home, a wife, and kids. As soon as he is able to assemble the pieces of this collage, by means of his chosen profession, he intends to retire and become a model citizen. In an effort to accelerate this process, he signs on to take down a huge score for a big-time gangster. Unfortunately, Frank's obsession for his version of the American Dream allows him to overlook his natural wariness and mistrust, when making the deal for his final job. He is thus ensnared and robbed of his freedom, his independence, and, ultimately, his dream.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Jim Belushi's brother John visited the set often. The cast and crew would often hang out at Belushi's speakeasy, The Blues Brothers Bar, after work. See more »
During the L.A. heist, the device intended to remove the key-lock assembly from the door leading to the vault is screwed in (undiscernibly) and jerked back without removing the lock, i.e., having no effect whatsoever. In the next shot, the lock assembly is gone. (Maybe it took more than one try.) See more »
I got some A-B-C type information for you, lady. I was state-raised, and this is a dead place. A child in eight-by-four green walls, after awhile you tell the walls 'my life is yours.' What, didja grow up in the suburbs?
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The Criterion Collection's Blu-Ray and DVD edition of Thief is a sort of hybrid between the theatrical version and the director's cut. The early scene from the director's cut with Willie Dixon has been added back in, but the rest of the film is the theatrical version, with the slow motion shots untouched. See more »
I've always been impressed by Micheal Mann's films. Starting with The Insider, I was intrigued by his camera-work and the use of music to compliment a scene.
With Thief, his directorial debut, he shows what movie fans will be in store for over the 30 years. Of course some of the techniques to steal are dated, but I loved the glossy, yet gritty atmosphere of the film. Tuesday Weld, was also quite good as Caan's love interest. It has an amazing ending as well.
The film is Waaaaaaay ahead of its time. And I was genuinely impressed with James Caans performance. This film is an underrated gem and should be viewed by Mann fans who liked Heat and Collateral.
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