In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Jonathan Ke Quan
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader.
In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
The year is 1936. An archeology professor named Indiana Jones is venturing in the jungles of South America searching for a golden statue. Unfortunately, he sets off a deadly trap but miraculously escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Rene Belloq and a band of Nazis in order to reach it.Written by
Costume Designer Deborah Nadoolman based Indy's outfit, flying jacket and fedora on Charlton Heston's in Secret of the Incas (1954). In that film, Heston played a treasure-hunting adventurer who, after studying an ancient model "map room", uses a beam of sunlight reflected off of a crystal to pinpoint the location of the treasure. In that film, Heston also flies a hijacked airplane and goes down a river in an inflatable yellow raft, reminiscent of events in Indiana Jones and the Temple of Doom (1984). See more »
When the Ark begins to affect the electrical equipment during the ritual, a generator is shown overloading, glowing white hot inside and burning out with a puff of smoke. The white hot glow can be seen to be an ordinary light bulb that was placed inside the the generator. See more »
[picking up poison dart]
The Hovitos are near.
[tastes the end of the dart, spits it out quickly]
The poison is still fresh, three days. They're following us.
If they knew we were here, they would have killed us already.
See more »
The mountain in the Paramount logo dissolves into the mountain in the Peruvian jungle. See more »
There are only so many films in history that I can watch again and again, gaining new appreciation for, one of them is this film. I went from the movies to VHS, and finally to DVD. The availability and quality of this film keep raising the bar of what I can get from it.
I read someone posted that this is the king of B movies or something of that sort, while I honestly think in some scenes like when Indy is running from the Hovitos and he rises over the hill, the film had a really strange documentary feeling, like if a comic actually came to life and like in the Twilight Zone, you were stuck in it. It is great to see this film, now that I edit and produce small independent films, and have worked in post production in Los Angeles. I honestly think almost every scene in this film is better than what's coming out today in sci-fi/adventure. I might pull back that comment in regards to some nice visuals in Riddick, and maybe the new Star Wars: Revenge of the Sith, but I'm not certain.
The amount of time and effort put into the comedy, adventure, and depth of each character dazzles me because I really can't tell it was filmed the same year Fame was. It really has a unique look to it. The key lighting in the piece is amazing, almost everything looks like it was perfectly worked out.
My only complaint is the attempt to visualize the opening of the Ark, as most of the other scenes don't deal with the supernatural except maybe a burning crate with a nazi symbol on it. George should redo that last scene in my opinion, and tighten it up, because I really think it wasn't coming together, however when I was a child it was so amazing and scary realistic. It's all perspective, but my point it that now in this modern filming era, the acting and film production is holding tight to this day.
I forward you to just enjoy this film and look for things like formulas on chalkboards, skeletons in classrooms, proper patches on Nazi gear, gun accuracy. Research the film's era and background, and it only gets better. That's the ability that Spielberg and Lucas have, attention to detail and clever twists on most of their bodies of work.
Watch this film again, it's worth it, I promise you.
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