It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to...
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It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to be at the switchboard day and night. She was originally told by her boss Mr. Rigby that this job would only be a stepping-stone to a more lucrative job with regular working hours, which Mr. Rigby seems to be reneging on since he has now told her that her position is frozen due to the war. As such, Nita feels trapped by this situation. Nita lives in the telephone switchboard office building with her two sons, adolescent Harry and infant Henry. Because of her marital status, many of the townsfolk, especially the men, view Nita either with contempt or as a loose woman. One evening, Teddy Roebuck, a sailor on a four day furlough who is hitchhiking back to his home in Ardmore, Oklahoma, stops by to make a telephone call. When he learns that the reason for his trip home no longer exists, Teddy decides to...Written by
Principal photography on this picture was delayed from July 1980 until 20th October 1980 due to the 1980 SAG Actors' Strike and Emmy Awards Boycott, which included the AMF and AFTRA, which ran from July 1980 until 25th October that year. See more »
When Teddy is holding his shoes out after the boys clean them, he is holding the right shoe in his left hand and the left shoe in his right hand as they would appear if being worn on the wrong feet. In the next shot, they are reversed. See more »
Well-acted "small" film with a lot of heart and some suspense
I just caught this film again on a cable channel and remembered how much I like it. Most people will consider this a "small" film because it doesn't have a lot of action, but there are some suspenseful moments - especially near the end. During World War II, Sissy Spacek plays a small-town phone operator raising her two sons on her own. In fact, the switchboard is in the home where they live. Many of the townspeople have no phone of their own and come to Sissy's home to make calls and sometimes to receive that dreaded call informing them that their husband/son, etc. has been wounded, killed or is missing in action. Oft-seen character actor R.G. Armstrong turns in his usual strong performance as Sissy's manipulative boss. Sissy's philandering former husband is played well by Sam Shepard in a small but pivotal role. Playing their usual (but this time creepy!) Southern "good ol' boys" are Tracey Walter (seen recently as the provider of "insider" evidence in ERIN BROCKOVICH) and William Sanderson (perhaps best known as Larry with his brother Darryl and his other brother Darryl on T.V.'s NEWHEART or for his role in BLADERUNNER). They make great troublemakers in this film. Henry Thomas plays Sissy's older son and reveals the strength of character and sensitivity that he will later show as Elliot in E.T. But the leads, Sissy and Eric Roberts, are my favorites. They are terrific together but also great when apart onscreen. Sissy has a fun moment alone singing and dancing as "Rum & Coca-Cola" plays on the radio while she is housecleaning. She's also good when she tries and finally succeeds at standing up to her boss. And she's definitely believable as the boys' "Mom". Eric, as a young sailor on a short leave, has a great early scene talking on the telephone and is absolutely wonderful in his scenes with the two boys. I love it when he tries to make the boys feel better as he leaves to go back to his ship - he names his two shoes after them so that they will always be with him, calling out their names with each step as he walks off down the street. And then there are the scenes with Sissy and Eric together - tender, sweet and romantic. If you have forgotten like I had, this film will remind you what a beautiful young man Eric was, before the ravages of time and how ever many broken noses he has had, changed him into the more rugged but still handsome man he is today. A few more films (STAR 80, RUNAWAY TRAIN, to name but two) have also shown us what a fine actor he is, but unfortunately, most A-list directors and producers tend to ignore him so that he has become a B-movie regular. I saw him on Broadway about 10 years ago as the lead in BURN THIS, and he was amazing. Come on, somebody, cast him in a really good role in a really good film! He deserves the role and movie-goers deserve to see him at his best. In the meantime, we can enjoy this film.
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