A speculation on the fate of the famous hijacker who parachuted with his ransom and disappeared in the mountains, has Cooper following a meticulous plan to disappear into anonymity despite ...
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A speculation on the fate of the famous hijacker who parachuted with his ransom and disappeared in the mountains, has Cooper following a meticulous plan to disappear into anonymity despite the best efforts of a dogged cop.Written by
Keith Loh <loh@sfu.ca>
The true hijacker, of which this movie is based upon, never used the alias D.B. Cooper. Instead he used "Dan Cooper". D.B. Cooper was the name of a person the police checked out, in case the hijacker had stupidly used his own name. The media got hold of the information, that the police were checking out the rap sheet of a "D.B. Cooper", and the name has stuck ever since. See more »
Goofs
During the chase, the left wheel is wrenched off the biplane after D.B. uses it to pierce the roof of a car. But in later scenes, the biplane appears with its right wheel missing. See more »
Crazy Credits
The end credits says Possum - Marsoupial See more »
This film was hard to get a hold of, and when I eventually saw it the disappointment was overwhelming. I mean, this is one of the great stories of the twentieth century: an unknown man takes advantage of the unsuspecting airline industry and GETS AWAY with millions in ransom without hurting anyone or bungling the attempt. With all of this built-in interest, how could anyone make such a lackluster, talk-laden flick of this true-life event. While Williams is always interesting, the screenwriters assumed that the D.B. Cooper persona was stereotypically heroic like a movie star, s what we get is a type-without any engaging details or insights into the mind of a person daring enough and clever enough to have pulled it off. Harrold practically steals the movie with her spunk and pure beauty, but the real letdown was in the handling of the plot and the lame direction. Shame on this film for even existing.
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This film was hard to get a hold of, and when I eventually saw it the disappointment was overwhelming. I mean, this is one of the great stories of the twentieth century: an unknown man takes advantage of the unsuspecting airline industry and GETS AWAY with millions in ransom without hurting anyone or bungling the attempt. With all of this built-in interest, how could anyone make such a lackluster, talk-laden flick of this true-life event. While Williams is always interesting, the screenwriters assumed that the D.B. Cooper persona was stereotypically heroic like a movie star, s what we get is a type-without any engaging details or insights into the mind of a person daring enough and clever enough to have pulled it off. Harrold practically steals the movie with her spunk and pure beauty, but the real letdown was in the handling of the plot and the lame direction. Shame on this film for even existing.