Postimies soittaa aina kahdesti (1981)

The sensuous wife of a lunch wagon proprietor and a rootless drifter begin a sordidly steamy affair and conspire to murder her Greek husband.

Director:

Bob Rafelson

Writers:

James M. Cain (novel), David Mamet (screenplay)

Stars:

Jack Nicholson, Jessica Lange, John Colicos

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Jack Nicholson	...	Frank Chambers
Jessica Lange	...	Cora Papadakis
John Colicos	...	Nick Papadakis
Michael Lerner	...	Mr. Katz
John P. Ryan	...	Kennedy
Anjelica Huston	...	Madge
William Traylor	...	Sackett
Thomas Hill	...	Barlow (as Tom Hill)
Jon Van Ness	...	Motorcycle Cop
Brian Farrell	...	Mortenson
Raleigh Bond	...	Insurance Salesman
William Newman	...	Man from Home Town
Albert Henderson	...	Art Beeman
Ken Magee	...	Scoutmaster
Eugene Peterson	...	Doctor

Storyline

This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside café owner. This begins a chain of events that culminates in murder.

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Plot Keywords:

great depression | adultery | neo noir | lifting up dress | hand up dress | 

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Taglines:

In the heat of passion two things can happen. The second is murder.

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Genres:

Crime | Drama | Romance | Thriller

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Certificate:

R

Details

Country:

West Germany USA

Language:

English Greek

Release Date:

20 March 1981 (USA)

Also Known As:

Postmannen ringer alltid två gånger

Filming Locations:

Barnsdall Rio Grande Service Station, Goleta, California, USA

Box Office

Budget:

$12,000,000 (estimated)

Gross USA:

$12,376,625

Cumulative Worldwide Gross:

$12,376,625

Company Credits

Production Co:

CIP Filmproduktion GmbH, Lorimar Film Entertainment, Northstar International

Technical Specs

Runtime:

122 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When plotting the characterization for the role of Cora, Jessica Lange decided the young woman had first tried to make it as a movie actress in Hollywood, struck out, and eventually married. When Jack Nicholson learned this, he gave her the autobiography of trashy, blonde, B-movie actress Barbara Payton ("I Am Not Ashamed", published in 1963.) Lange based her character's history partly on Payton, who, like her, was born in Cloquet, Minnesota.

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Goofs

Mr. Katz pencil moved from the left side to the right side of his pocket when he and Chambers talked in the basement of the courthouse.

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Quotes

Frank Chambers: What are you, uh, Greek or something?
Cora: What... do I look Greek?

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Alternate Versions

CBS edited 30 minutes from this film for its 1986 network television premiere.

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Connections

Spoofed in State and Main - tienristeyksessä (2000)

User Reviews

Grubby film noir

This novel adaptation was the second after a first movie in the 1940s. This one retains the period setting but ups the ante in terms of sexual content, featuring one of the most explicit sex scenes ever shown in a mainstream film which goes far further than any film before - or since.

The plot is simple in the extreme: the wife of a Greek man who runs his own diner, bored and neglected by her husband, begins a torrid affair with a drifter her husband employs as his mechanic. From there on in, the story gradually develops in often fascinating ways as the two lovers realise that only one thing's stopping their happiness: her husband.

The film is shot through with a grim and gritty emphasis, best realised by Nicholson's grubby mechanic. He's nobody's idea of a sex symbol, although Jessica Lange is quite ravishing as the object of his attentions. This focus on realism over Hollywood fantasy is what makes the film so watchable and, in places, uncomfortable as it becomes clear that the lovers have something of a sado-masochistic relationship.

Things move into courtroom-drama territory later on (featuring some terrific acting work from Michael Lerner as the lawyer) whilst handing a number of blink-and-you'll-miss-em minor parts to familiar faces (John P. Ryan as a blackmailer, Angelica Houston as - bizarrely - a circus owner, cult favourite Don Calfa as a circus hand, Brion James as a thug and Christopher Lloyd as a salsman).

I found the film to be sometimes compelling and never boring. It's one of those films you watch to find out just what happens to the central characters, a curiosity bolstered by the feeling that they're never going to unentangle themselves from this mess. Come the surprise climax, well...you'll have to see for yourself.