An unexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short... See full summary »
During the Prussian army's invasion to Poland in 1793, a young Polish nobleman, Jakub is saved from the imprisonment by a stranger who wants in return to obtain a list of his fellow ... See full summary »
Set during the occupation of Poland during World War II. Some German soldiers, slaughter a woman, her son and daughter-in-law. The husband and his father escape by being in the forest. The ... See full summary »
A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.
Servais Mont, a photographer, meets Nadine Chevalier who earns her money starring in cheap soft-core movies. Trying to help her, he borrows the money from the loan sharks to finance the ... See full summary »
During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she wants a divorce. They both go through a series of different emotions related to their situation, Mark's which is generally obsessive about learning why Anna, who he still loves, wants the divorce, and Anna's which is generally increasingly histrionic in getting away from Mark. Caught in the middle is their infant son Bob, who Mark uses as a gage to Anna's mental state. Anna states that her want for the divorce is not because of another man, but Mark finds out that Anna has a lover named Heinrich. In the meantime, Mark also meets Bob's teacher Helen, who looks exactly like Anna, but is her polar opposite in temperament. Starting a relationship with Helen lessens his obsession with Anna. But as Mark and Anna's encounters together reach more emotional and violent levels, Mark, with help of a private ...Written by
In the kitchen scene where Anna cuts herself with an electric knife, Mark picks it up and starts slicing his left arm multiple times. The next day, he is in the kitchen again with his sleeves rolled up, but there are no cuts on his arm. Given the surreal nature of this film, this could have been planned. The camera focuses on the supposedly sliced arm. One can only speculate what message was intended, if in fact the "gaff" was intentional. See more »
When I was a boy my dog crawled out onto the porch to die. Before the end it yelped, as if it had seen something real.
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The film was severely cut and re-edited for its American release - those versions vary from 81 to 97 minutes. The original is barely recognizable so try to catch the full version. See more »
This one has to be seen twice. Once on a visceral - I can't believe what I'm seeing sitting on the edge of your seat with your mouth open -level. The second time on an intellectual - aha I think get some of the allegory but it still kinda doesn't add up - level. All in all, you haven't quite seen acting until you've seen Isabelle Adjani breaking apart, or rather, literally, oozing apart, in a subway tunnel. Linda Blair's got nothing on her. Speaking of oozing, the camera-work is simply unbelievable. The uninterrupted shot of the drunken Heinrich spinning around in the stairway is choreographed in a way that makes the camera seem immaterial.
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