A scuba diving instructor, her biochemist boyfriend, and her police chief ex-husband try to link a series of bizarre deaths to a mutant strain of piranha fish whose lair is a sunken freighter ship off a Caribbean island resort.
The private investigator Maggie McNamara from Lyon Investigation is hired by the wealthy J.R. Randolph to find his niece that has disappeared with her boyfriend. Maggie seeks out the lonely... See full summary »
Scott P. Levy
A marine biologist, a dolphin trainer, a research scientist, and a local sheriff try to hunt down a large sea monster, a shark/octopus hybrid, that is devouring swimmers and fishermen off a south Florida coast.
After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents.
Something or someone is attacking people one by one on the beach. Some of them are mutilated, but most of them are sucked into the sand, disappearing without a trace. What is the creature ... See full summary »
A sunken US supply ship off a Caribbean island resort is the focus for a series of mysterious piranha attacks. Investigating the death of one of her son's companions after a scuba-diving trip, Anne Kimbrough breaks into the morgue with holidaymaker Tyler Sherman, only to discover that the fish have wings and can fly. But the hotel manager refuses to call off the annual fish fry on the beach, with inevitable consequences...Written by
Michael Brooke <firstname.lastname@example.org>
James Cameron described his creative process as "what I'm good at is working with actors to create scenes and then editing their performances to get the absolute best vibrating version of that scene and then share that with the audience. It's an amazing process to go through. Sometimes you think it's not going to work when you get started and then the characters come to life." See more »
In the wreck of the Earl Fitzgerald, the plastic dummy of the scuba diver floats up and bangs on the lens of the camera. See more »
The UK MIA video and DVD release featured the original UK cinema print which contains the topless nudity during the boat scene with Jai and Loretta. However the film itself starts with Lou and Lisa in the water (their brief dialogue scene on the boat is missing) and their killing is shown before the opening credits. See more »
This follow-up pretty much matches the first film for pacing and thrills, which isn't saying much. Seeing how the fishies are introduced in the opening scene (to devour a pair of underwater lovemakers!) but then disappear for 20 minutes to set up the bland characters. Despite what other IMDBers have said, I thought the cast looked fine. O'Neill is cute, the two cruel babes on the boat were NICE, and the busty, though never glimpsed, sea captain's daughter was good. She does the "dirty deed" with some dude in a waterfall, but the scene is so dark that you cant see squat. And there's actually a survivor so to speak of all these performers: veteran actor Henricksen, who went on to bigger and better, and is till working these days. As for the action, I liked the idea of the flying munchers. Though laughable, it gave them an extra dynamic to exploit on the victims. But even with that inventive idea, the effect of them taking flight is extremely cheap looking. Whenever they chew someone, its always done in close up, as if some stagehand was trying to stay out of the shot as he held the fish against the actors face/neck. I do have to give credit for the scene involving the nurse. If you don't get a jolt when that little sucker pops out of the dead body, I'd be surprised. As for superstar director Cameron, his first offering is what you'd expect out of a low budget horror film; cheaply made, dark and badly photographed nonsense. And that early "Titanic" influence is evident in a number of scenes that take place in the hulls of a sunken ship. But he manages to make you jump here and there, and I enjoyed the opening credits, that featured some good, creepy violin music and creatively done wavy, water-like effects as the names came on screen. As most have said, this may go into a lot of peoples "so bad, its funny" file, but it entertained me as much as the first film did, which was very little.
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