Arthur, a sheet music salesman, has an ear for the hit tunes, but nobody will trust it. And his imagination often bursts into full song, building musical numbers around the greatest ... See full summary »
With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of ... See full summary »
In Chicago during the 1930s depression, sheet music salesman Arthur Parker is trying to sell his products, but it's not easy to convince unwilling music store owners to buy them. Although he's already married to the somewhat drab Joan, when he meets school teacher Eileen in a music store, he falls in love with her.Written by
When asked in Rolling Stone about the film's box-office failure, Steve Martin said: "I'm disappointed that it didn't open as a blockbuster and I don't know what's to blame, other than it's me and not a comedy. I must say that the people who get the movie, in general, have been wise and intelligent; the people who don't get it are ignorant scum." See more »
While the film is set in 1934, the characters watch Follow the Fleet in a movie theater - that film was released in 1936. See more »
Unusual story combining drama, musical numbers and fine performances by all concerned. This had to have been one of the first times that Steve Martin was allowed to show that he is so much more than just some guy with an arrow through his head, a fact that has been demonstrated time and time again over the past 20 years.
This film physically depicts the depression era in beautifully muted tones and powerfully evokes the desperate feelings of people trying to make ends meet during hard times. Martin gives a dead on performance of a man with nothing left in his moral bank account. Arthur does and says whatever it takes to gain the instant gratification he constantly seeks.
As for the ensemble musical numbers, let me just say that even Busby Berkeley might have been envious. Martin and Peter's turn at Fred and Ginger was well beyond adequate and Walken's tap dance number is worth the price of admission.
I watched this movie the other evening after not having seen it for several years. I was amazed at how much it had improved with age. This movie could almost certainly never be made today and, in fact, I find it hard to believe it was ever made. Hollywood rarely takes chances of any kind and this movie had to have been a huge gamble, even in 1981.
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