Directed by
| Glenn Jordan | ||
Writing Credits
| Neil Simon | ... | (screenplay) |
| Neil Simon | ... | (based on the play "The Gingerbread Lady") |
Cast (in credits order) verified as complete
Produced by
| Roger M. Rothstein | ... | producer |
| Neil Simon | ... | producer |
Music by
| David Shire | ||
Cinematography by
| David M. Walsh | ... | director of photography |
Editing by
| John Wright | ||
Casting By
| Jennifer Shull | ||
Production Design by
| Albert Brenner | ||
Art Direction by
| David M. Haber | ... | (as David Haber) |
Set Decoration by
| Marvin March | ||
Costume Design by
| Ann Roth | ||
Makeup Department
| Kathryn Blondell | ... | hair stylist |
| E. Thomas Case | ... | makeup artist (as Tom Case) |
Production Management
| Thomas John Kane | ... | unit production manager |
Second Unit Director or Assistant Director
| William S. Beasley | ... | first assistant director (as Bill Beasley) |
| Jim Van Wyck | ... | second assistant director |
| Stephen Wertimer | ... | dga trainee: New York crew (as Steve Wertimer) |
Art Department
| Richard Adee | ... | property master: New York crew |
| Nick F. Caprarelli | ... | lead man (as Nick Caprarelli) |
| Robert Krume | ... | construction coordinator |
| Bill MacSems | ... | property master |
| Wendell Powell | ... | assistant property master |
Sound Department
| Michael Hilkene | ... | supervising sound editor |
| Dennis Jones | ... | boom operator |
| Gregg Landaker | ... | re-recording mixer |
| Les Lazarowitz | ... | sound mixer: New York crew |
| Tod A. Maitland | ... | boom operator |
| Steve Maslow | ... | re-recording mixer |
| Tom Overton | ... | production sound mixer (as Tommy Overton) |
| Bill Varney | ... | re-recording mixer |
Special Effects by
| Alan E. Lorimer | ... | special effects coordinator (uncredited) |
Camera and Electrical Department
| Martin G. Beazell | ... | second assistant camera (as Martin Beazell) |
| Norman Buck | ... | key grip: New York crew |
| Robert Edesa | ... | camera operator (as Bob Edesa) |
| Norman Harris | ... | gaffer |
| Ron Kenyon | ... | electrical best boy |
| Richard C. Kratina | ... | camera operator: New York crew (as Richard Kratina) |
| Frank Lambers | ... | grip best boy |
| Richard Moran | ... | key grip |
| Michael Nash | ... | first assistant camera |
| Ray Quinlan | ... | gaffer: New York crew |
| Warren Rothenberger | ... | director of photography: New York crew / director of photography: New York |
| Orlando Suero | ... | still photographer (as Orlando) |
| Barry Wexler | ... | dolly grip |
Costume and Wardrobe Department
| Seth Banks | ... | costumer: men |
| Shirlee Strahm | ... | costumer: women |
Editorial Department
| Kathy Virkler | ... | assistant editor |
Location Management
| Vince Martinez | ... | location auditor |
| Roger Paradiso | ... | location manager: New York crew |
Music Department
| Erma E. Levin | ... | music editor (as Erma Levin) |
| George Doering | ... | musician (uncredited) |
| James Thatcher | ... | musician: French horn (uncredited) |
Script and Continuity Department
| June Samson | ... | continuity |
Transportation Department
| Harry J. Leavey | ... | transportation captain: New York crew (as Harry Leavey) |
| Jack Lietzke | ... | transportation |
Additional Crew
| Joan Eisenberg | ... | unit publicist |
| Sheryl Gold | ... | production assistant |
| Pat Logue | ... | secretary: Mr. Jordan |
| Dennis Maguire | ... | production assistant |
| Mary Malin | ... | assistant: Ann Roth |
| Shirley Marcus | ... | production office coordinator: New York crew |
| Michele Panelli-Venetis | ... | assistant: Mr. Rothstein (as Michele Panelli) |
| Howard Poyourow | ... | dialogue coach |
