A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ...
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A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze.Written by
Kristy McNichol is a daughter who never had a childhood. Marsha Mason is a mother who never grew up. And when they get together, they're the most mismatched roomates since "The Goodbye Girl". See more »
In its premiere engagement in America, this movie was released just six months before another filmed adaptation of a Neil Simon play, I Ought to Be in Pictures (1982). That movie was directed by Herbert Ross, who had been the first choice to direct Only When I Laugh (1981). Both works predominantly dealt with the conflict between a daughter and a parent, the parent being a mother in Only When I Laugh (1981), and a father in I Ought to Be in Pictures (1982). Both parent characters also abuse alcohol. Both films are reconciliation movies; in each film, the parent and daughter have not seen each other for several years. See more »
Jimmy is arranging a bouquet of orange flowers to welcome Georgia home from re-hab. He is shown adding a stem of eucalyptus to the bouquet and two branches of orange flowers that stick up much further than the other flower stems in the vase. When the delivery boy comes and Jimmy turns to get the money to pay for the groceries, the bouquet of orange flowers has no eucalyptus stem and the flowers are all the same height again. See more »
Much has been written over the years regarding the 'one-note" performances of Marsha Mason. Four of these "one-note" performances earned Mason Oscar nominations and IMO this is the best of those four. ONLY WHEN I LAUGH is Neil Simon's big screen re-working of his own play THE GINGERBREAD LADY. Marsha Mason plays Georgia Hines, an actress recently released from rehab, trying to get her career going again, trying to re-establish a relationship with her daughter (Kristy McNichol) and trying to stay sober and not really doing a great job with any of them. Mason hits all the right notes here and makes Georgia a flawed and realistic human being. Some of Mason's best moments involve no dialogue at all...there is a wonderful scene about 2/3 of the way through the film where an on-the-edge Georgia is walking the streets of Manhattan around dusk and it seem like every other storefront she passes is a bar. She then stops at an interior pay phone to call her doctor from rehab; however, he is not present and Georgia doesn't want to talk to the doctor who does answer the phone. This scene is extremely well-played by Mason and I think it's the scene that probably nailed the Oscar nomination for her. Kristy McNichol charms, as always, as Polly, Georgia's self-sufficient daughter who still yearns to be Mommie's little girl sometimes. James Coco and Joan Hackett also deliver Oscar nominated performances as Georgia's best friends, Jimmy, an unemployed actor and Toby, a vain, society beauty trying to cope with the fact that her best years have passed her by. Hackett is particularly impressive as the fading beauty whose fragile ego doesn't keep her from kicking Georgia in the ass when she needs it. Though Simon definitely has stronger screenplays under his belt, ONLY WHEN I LAUGH is worth seeing if for no other reason, the strong performances by the four leads, three of which earned Oscar nominations.
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