A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ...
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George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off, and just when things are moving along, the memory... See full summary »
Susan is a young, beautiful and successful flute player, but because of her physical handicap, a lame leg, she is having difficulties finding Mr. Right. While on tour in France, she decides... See full summary »
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze.Written by
In one of the opening scenes when Marsha Mason's character is leaving the "Betty Ford Clinic" of the time, there is an employee, Sandy, who passes her by the stairs says good-bye but addresses her as Mrs. Simon instead Mrs. Hines the character's real name. See more »
You're a lousy liar!
I am a wonderful liar! I'm only lousy when I lie to you!
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NBC edited 24 minutes from this film for its 1984 network television premiere. See more »
Comedy-drama from writer Neil Simon, an expansion of his unsuccessful play "The Gingerbread Lady", has Marsha Mason playing an alcoholic Broadway star just checking out of rehab and back into reality when her estranged teenage daughter tells her she wants the two to be roommates. Fairly lively, bitchy film full of wisecracks and tears becomes flabby in the second and third acts, mostly due to poor editing which might have eliminated the dross (and a few side-plots that lead nowhere). Mason performs one too many dramatic monologues on the telephone, and there's six minutes of wasted film involving two college guys trying to pick up Mason and daughter Kristy McNichol at a health food restaurant. The movie has been designed to show off Mason's range (her vulnerability, her wiseass humor, her pathos, etc.). She's striking walking around New York City in her cape, less so when she's sniffling or giving an actors' seminar on the phone. Mason matches up perfectly with McNichol, but 17-year-old Kristy is shunted off to the side (and I disliked the padded sequence where she gets drunk like mamma). There are some fine moments here, but the picture gets off to a really bad start with an excruciating scene between James Coco and a Hispanic delivery boy. Simon takes one cheap shot after another, and yet the film isn't really about alcoholism at all, it's about masochistic behavior. **1/2 from ****
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