A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ...
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A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze.Written by
Kristy McNichol is a daughter who never had a childhood. Marsha Mason is a mother who never grew up. And when they get together, they're the most mismatched roomates since "The Goodbye Girl". See more »
Marsha Mason had played her character Georgia Hines several times in Neil Simon's mind according to Simon before Mason had ever read the script. See more »
In one of the opening scenes when Marsha Mason's character is leaving the "Betty Ford Clinic" of the time, there is an employee, Sandy, who passes her by the stairs says good-bye but addresses her as Mrs. Simon instead Mrs. Hines the character's real name. See more »
Lesser Neil Simon dramedy with a fine performance from Marsha Mason. The problem is that her character is so selfish it's difficult to sympathize with her and since she's the focus of the piece that's vital. The result is that you feel detached from the proceedings. Purportedly Marsha's character Georgia was based on Judy Garland but as written she has none of Judy's enchantress qualities that made her often maddening behavior tolerable to her intimates for so many years. Georgia is thorny without the magnetism or charm that would compensate for her petty, difficult and sometimes cruel behavior.
Joan Hackett gives her customarily excellent performance for which she was Oscar nominated but the part isn't award worthy. Still since this was her final feature film role before her death it nice that she was so honored for her many years of quality work. James Coco was similarly acknowledged and his part is more fleshed out but he has likewise had better roles. Kristy McNichol, at the height of her fame when this was made, surely took the project on feeling it would be a good showcase for her but except for one confrontation scene her character doesn't make much impact and it seems the script doesn't know what it wants her to be.
Not a bad film but for being a Neil Simon project the script is missing an incisiveness that is the hallmark of his better work.
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