Conservative street cop DaSilva reluctantly agrees to terminate an international terrorist who has demanded media attention. But DaSilva's "at-home" tactics are very much put to the challenge.
Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Director:
Sylvester Stallone
Stars:
Sylvester Stallone,
Lee Canalito,
Armand Assante
A rebellious Cleveland warehouse worker rises through the ranks of a trucking industry union to become union president but his organized crime links cause his eventual downfall.
Director:
Norman Jewison
Stars:
Sylvester Stallone,
Rod Steiger,
Peter Boyle
As allied P.O.W.s prepare for a soccer game against the German National Team to be played in Nazi-occupied Paris, the French Resistance and British officers are making plans for the team's escape.
With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden.
Director:
John Flynn
Stars:
Sylvester Stallone,
Donald Sutherland,
John Amos
Framed by their ruthless arch-nemesis, a mismatched LAPD crime-fighting duo has to put its differences aside to even the score with the evil kingpin who put them behind bars once and for all.
Directors:
Andrey Konchalovskiy,
Albert Magnoli
Stars:
Sylvester Stallone,
Kurt Russell,
Teri Hatcher
Professional hit-man Robert Rath wants to fulfill a few more contracts before retiring but unscrupulous ambitious newcomer hit-man Miguel Bain keeps killing Rath's targets.
Director:
Richard Donner
Stars:
Sylvester Stallone,
Antonio Banderas,
Julianne Moore
Deke DaSilva and Matthew Fox are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...?Written by
Afterburner <aburner@erols.com>
Joe Spinell had previously played a boss of Sylvester Stallone in Rocky (1976) and Rocky II (1979) playing the loan shark Tony Gazzo whom Rocky worked for as a collector. See more »
Goofs
During the opening sequence as DaSilva chases the mugger along the station platform, headlights of approaching trains from both directions can be seen. However, these disappear once DaSilva removes his coat belt to tackle the mugger. See more »
...Something that I've heard again and again throughout the eighties and nineties. It's only Stallone 's and Hauer's best performances in any movie that I've seen them in. I read a positive comment (which encouraged me to write this) about this film. I was 9 years old when this movie came out: tried to sneak into it when it played in the theaters (failed), saw it a year later on cable, and I LOVED IT! I resembled a little Rutger Hauer and lived in Los Angeles at the time, so I found myself almost relating to this film. But I was so impressed that it wasn't like all of the other dreck that came out that year, too.Now international terrorism is simply a satire in today's films until 9/11. However, I think that "Die Hard" changed the industry forever in a bad way. To them more is better- to me, more is more. This movie does not glamorize violence (like the before mentioned) and shows how serious it is when it hits home. This movie did not play very long in theaters (in 1981), and hardly anyone can recollect it. It was made on a modest budget, and so many films have surpassed it since, it is now been archived.
I wish Stallone returned to this kind of role: he's so enamoured with John Rambo, Rocky Balboa, every other action-hero-cardboard role that he lost credibility. Hauer went down a separate but equal path in demonstrating his difficulties with other directors, he's a strait-to-video icon.
To this day, I still remember the lines "...I do not enjoy killing-- but it's my job!" and "...now this is for the press...Now you may drop the child, but don't drop this..."
Why can't people watch this instead of Steven Segal movies? I guess Serpico's out, Marky-Mark's in...
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...Something that I've heard again and again throughout the eighties and nineties. It's only Stallone 's and Hauer's best performances in any movie that I've seen them in. I read a positive comment (which encouraged me to write this) about this film. I was 9 years old when this movie came out: tried to sneak into it when it played in the theaters (failed), saw it a year later on cable, and I LOVED IT! I resembled a little Rutger Hauer and lived in Los Angeles at the time, so I found myself almost relating to this film. But I was so impressed that it wasn't like all of the other dreck that came out that year, too.Now international terrorism is simply a satire in today's films until 9/11. However, I think that "Die Hard" changed the industry forever in a bad way. To them more is better- to me, more is more. This movie does not glamorize violence (like the before mentioned) and shows how serious it is when it hits home. This movie did not play very long in theaters (in 1981), and hardly anyone can recollect it. It was made on a modest budget, and so many films have surpassed it since, it is now been archived.
I wish Stallone returned to this kind of role: he's so enamoured with John Rambo, Rocky Balboa, every other action-hero-cardboard role that he lost credibility. Hauer went down a separate but equal path in demonstrating his difficulties with other directors, he's a strait-to-video icon.
To this day, I still remember the lines "...I do not enjoy killing-- but it's my job!" and "...now this is for the press...Now you may drop the child, but don't drop this..."
Why can't people watch this instead of Steven Segal movies? I guess Serpico's out, Marky-Mark's in...