A writer suffering from agoraphobia rents an isolated house so she can concentrate on her writing. She doesn't know that the house is a former brothel, and is inhabited by the ghosts of dead prostitutes.
A reporter moves into the ominous Long Island house to debunk the recent supernatural events, and finds himself besieged by the evil manifestations which are connected to a hell-spawn demon lurking in the basement.
An insane surgeon finds himself up to his armpits in eyeballs after guilt prompts him to begin removing the eyes of abducted people in hopes of performing transplants on his daughter who ... See full summary »
Gothic mystery writer Lauren Cochran leaves New York to move into an eerie Victorian mansion, once a brothel haunted by the ghost of a madam Florinda Costello. The ex-brothel is the scene of several gore killings, witnessed by Lauren. With John Carradine.Written by
Probably should have been much more nastier and sleazy than it was, because of the plot's lurid context and it being directed by adult filmmaker Armand Weston. However that's not the case, even though it does provide some nudity and unpleasant shocks it doesn't go all that far with it. Nonetheless the main issue arose with the narrative, as this haunted house feature just wasn't all that gripping in its mystery or characters. Outside some of its stinging set-pieces (rooftop rescue) and its perfect rural locations that centred it all around a strikingly imposing Victorian house, it was rather bland. Novelist Lauren Cochran suffers from Agoraphobia and decides to leave the city for the countryside for peace in an attempt to help her writer's block. The old house she rents has a shocking history, although unaware to that, strange things begin happening as she begins to see a recurring lady figure and brutal deaths start occurring. The formulaic story is rather contrived in its developments (visions of the past, family secrets and retribution) or in a way there's not much happening at all. There the script even toys around with the character's phobia to draw upon mystery and tension. It's unremarkable, but still the film looks well produced for such a little b-picture. Many stylish shots that can have an eerie feel, a kinetically unhinged music score that only adds to the anxiety filled atmosphere and the editing is tautly done despite its slowly unravelling nature. The performances are kind of bumpy as Robin Graves' neurotically uptight turn is believable, but aggravating in some hysterics. Also genre favourite John Carradine has a key role and tiny part for Gloria Grahame. An accomplished, but unspectacular 80s haunted house fare.
"Last night I lost touch of all reality".
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