A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
In Manhattan, Thana is a timid and mute woman that works as a seamstress in the fashion industry and spends most of her idle time at home. One night, she gets raped in an alley while going back home after hours and when she arrives at home, she gets raped again by another criminal. However, she reacts and bludgeons the assaulter to his death with a flatiron. The disturbed Thana loses her sanity and uses a .45 caliber pistol to shoot men on the streets of New York. She dresses suggestively and roams the dark streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life overflows into her regular life in the fashion industry.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the scene in which Thana escapes with her neighbor's dog, a red truck is seen circulating on the street, on whose front the name Ferrara is written. See more »
Thana never appears to run out of bullets for her gun, and she frequently uses a full clip (around seven rounds) to kill her victims. Although we see Thana loading and re-loading a clip for her .45 caliber semi-automatic pistol, it is never explained where she got all the ammunition. See more »
The British video release, on Warner's Maverick Director's label, was cut by 1m 42s by the BBFC. Early copies of this version, released in 1997, were accidentally mastered with the uncut version. These were quickly recalled and replaced with the BBFC approved version, but some uncut copies were sold - they can be identified by the code on the spine of the tape (082897). The cuts were made to the rape scenes and to a shot of Thana severing a dead man's arm with a bread knife. The use of a set of nunchakus was also removed. See more »
Neneh Cherry already specifically stated in a song that this is a woman's world, so who are we to argue with that? Women RULE this world, whether they carry around .45 caliber guns or not Infamous cult movie director Abel Ferrara's interpretation of feminism revolves on a mute and seemly defenseless young beauty that wipes male scum from the face of the earth with a pistol. After being the victim of assault and attempted rape TWICE in one afternoon, Thana kills her second assailant and chops up his corpse in the bathtub. Whilst getting rid of the bagged body parts, she randomly kills numerous other men on the trash-filled streets of New York. "Ms.45" has quite a lot in common with Ferrara's breakthrough film "the Driller Killer", except that it doesn't contain so many tedious moments and that you actually have sympathy for the Thana character, whereas Reno Miller could die instantly for all I cared. Strictly talking from a cinematic point of view, "Ms.45" is a much better film than "Driller Killer" as well. Ferrara manages to retain his depressing yet realistic portrait of dead-end New York, but the camera-work is much more steady and versatile. Zoë Lund, who remarkably looks like Nastassja Kinski, is a terrific anti-heroine and the fact she plays a mute even increases the complexity of her character. Lund later co-wrote "Bad Lieutenant" before sadly passing away at the young age of 37, due to heart failure. Unfortunately, however, "Ms.45" didn't stand the test of time very well. The graphic violence and definitely the controversy has been surpassed severely nowadays and I sincerely doubt that the new Playstation-generation will be impressed by Ferrara's take on the explicit revenge-flick trend. Luckily selected group of film buffs including myself still consider this to be a quintessential cult gem that'll live on forever. Kill 'em all, Thana!
29 of 52 people found this review helpful.
Was this review helpful to you?
| Report this