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Mommie Dearest (1981)

The abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother, screen queen Joan Crawford, is depicted.

Director:

Frank Perry

Writers:

Christina Crawford (book), Frank Yablans (screenplay) | 3 more credits »

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ON DISC
9 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Faye Dunaway ... Joan Crawford
Diana Scarwid ... Christina Crawford (Adult)
Steve Forrest ... Greg Savitt
Howard Da Silva ... L.B. Mayer
Mara Hobel Mara Hobel ... Christina Crawford (Child)
Rutanya Alda ... Carol Ann
Harry Goz Harry Goz ... Al Steele
Michael Edwards ... Ted Gelber
Jocelyn Brando ... Barbara Bennett
Priscilla Pointer ... Mrs. Chadwick
Joe Abdullah Joe Abdullah ... Captain
Gary Allen Gary Allen ... Jimmy (Photographer)
Selma Archerd Selma Archerd ... Connie
Adrian Aron Adrian Aron ... Wedding Guest
Xander Berkeley ... Christopher Crawford (Adult)
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Storyline

The relationship between Christina Crawford and her adoptive mother Joan Crawford is presented from Christina's view. Unable to bear children, Joan, in 1940, was denied children through regular adoption agencies due to her twice divorced status and being a single working person. Her lover at the time, Metro-Goldwyn-Mayer lawyer Greg Savitt, was able to go through a brokerage to adopt a baby girl, who would be Christina, the first of Joan's four adoptive children. Joan believes that her own difficult upbringing has made her a stronger person, and decides that, while providing the comforts that a successful Hollywood actress can afford, she will not coddle Christina or her other children, she treating Christina more as a competitor than a daughter. Joan's treatment of Christina is often passive-aggressive, fueled both by the highs and lows of her career, the narcissism that goes along with being an actress, and alcohol abuse especially during the low times. However, Joan sees much of ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Faye Dunaway is Joan Crawford, a star...a legend...and a mother...The illusion of perfection. See more »

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 September 1981 (USA) See more »

Also Known As:

Maman très chère See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$905,920, 20 September 1981, Limited Release

Gross USA:

$19,032,261

Cumulative Worldwide Gross:

$25,032,261
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The first film to nearly "sweep" the Golden Raspberry Awards (or RAZZIES), with five "wins" (including Worst Picture and three out of four acting awards) from a then-record nine nominations. See more »

Goofs

Diana Scarwid's stunt double in the choking scene is clearly male - look closely at his legs - they're a shade darker than Scarwid's and more muscular. See more »

Quotes

Joan Crawford: Why can't you give me the respect that I'm entitled to? Why can't you treat me like I would be treated by any stranger on the street?
Christina: Because I am NOT one of your FANS.
See more »

Alternate Versions

Due to the damage on the film's master, all current video/television prints are missing the dramatic music as Joan destroys her rose garden. See more »

Connections

Referenced in Die, Mommie, Die! (2003) See more »

Soundtracks

June In January
Written by Ralph Rainger (as Rainger) & Leo Robin (as Robin)
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Frequently Asked Questions

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User Reviews

How Bizarre
9 January 2010 | by LechuguillaSee all my reviews

Some of the behavior of the real Joan Crawford (Lucille LeSueur) was symptomatic of what we nowadays refer to as obsessive-compulsive disorder (OCD), a mindset that fixates on ultra-cleanliness and perfection. Such bizarre behavior as needlessly scrubbing clean floors and clean hands helps reduce one's fears and anxieties. Over-reaction to minor problems is one result. There's a tendency to expect oneself and others to be perfect. If what is being judged is not perfect, then the OCD mindset perceives it to be the opposite of perfection; that is, ruin. There's no in-between.

Character behavior that is weird to begin with, combined with poor film direction, and an exaggerated, over-the-top performance by Faye Dunaway results in plot sequences that are campy and outlandish, thus robbing the story of subtle truths that may be buried under all that bombast.

Excise the rose garden sequence, the wire-hangers/bathroom cleaning sequence, and several other embarrassing parts, and we "might" have a film that could be taken seriously. But, of course, then we couldn't laugh at it. And I do think the film, as is, is good for some laughs.

Having a film protagonist who is such a blatant villain with no character arc is unusual, and helps make this film so bizarre. At least Godzilla, and the great white shark in Jaws, could be forgiven their cruelty, given their inability to be human.

Apart from the bizarre main character in "Mommie Dearest", the film's plot does not flow well. The dialogue also is bizarre and lacks subtext. "Helga, I'm not mad at you, I'm mad at the dirt", says Joan as she spots dirt hiding under a potted plant. And as an out-of-control, angry Joan proceeds to punish a tree in her rose garden, in frustration with Louis B. Mayer, she yells to Christina: "Bring me the ax". How can the viewer not laugh?

Lucille LeSueur undoubtedly was an ambitious woman, a hard worker, and had both genuine talent and a healthy ego. But her human relations with others, especially her adopted daughter, were disasters. We may never know the extent to which "Mommie Dearest" mirrors the real Joan Crawford, or is merely a gross exaggeration by a vengeful "heirless" heir.

Regardless, Joan Crawford left us some terrific films. She had a memorable, unique personality, and will remain a stunning Hollywood legend for as long as Hollywood exists.


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