Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
A visiting dignitary, a CIA agent, a Nazi spy, Japanese tourists, an assassin and a group of "midget" actors from The Wizard of Oz (1939) all check into an elite Los Angeles hotel called Under the Rainbow.
Henry Perkins, a mild-mannered accountant, accidentally trades briefcases with another man, to find out that there's five million dollars inside. Henry tells his unsuspecting wife of their ... See full summary »
Penelope Ann Miller,
When police discover that a mob hitman has moved in next door to the Robbersons, they want to find out what he is up to. So they set up a stakeout in the Robbersons' home. Hard-nosed, ... See full summary »
Air traffic controller Max Fiedler is unhappy with his career and his second marriage. An exposure to toxic waste gives him the power of telekinesis. He comes to a crossroads at a beachhouse he shares with his wife, his ex, and a voodoo priestess.Written by
During the "Exorcist" scene, the piece of flower vase on Max's head shifts between shots. See more »
Wait, wait, wait, wait. Shoot. I better do this. Damn doctor come here, do it all wrong, piss off the demon, and blow us all to white man's hell, and I ain't got time to deal with that, come on.
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Alternate takes (without audio) are shown of the main characters during the end credits. See more »
A must see for anyone who enjoys laughing at the complete absence of quality!
Acting Lesson #1:
Let's say (hypothetically) that you (yes you!) are a cast member of fledgling hour-long skit-based comedy program Saturday Night Live in the Lord's year 1975. Perhaps you are one of the more popular performers on said program. All over America, SNL is exploding in popularity, and millions tune in to witness your own special brand of physical comedy. Now let's say you get cocky. You figure if you're already so popular on national television, you could become even MORE popular in the movies. So after only one year on the show, you leave to pursue a career in Hollywood. But you weren't ready. You hadn't built enough hype up as a TV star yet, and with what appears to be no consideration whatsoever, you accept every movie roll that comes along.
That, ladies and gentleman, is the story of Chevy Chase. Despite his obvious comedy genius, he blindly accepted the roll of our protagonist Max Fielder in the godawful Modern Problems. Wrought with visible camera equipment, transparent special effects, weird and upsetting continuity errors (including teleportation), and more shots of the boom mic than of Chase himself, Modern Problems is much like a poorly edited home movie.
Now we've established Chases's undiscriminating attitude, but what on earth possessed the rest of the cast? This stinker touted a few reasonably well-known names such as Dabney Coleman, Nell Carter, Mary Kay Place, SNL alum Brian Doyle-Murray, and a guest shot by Pat Proft. Perhaps the first 100 actors to sign up were given a free calendar.
Regardless, I would never pretend that this movie had no value. Like at least 60% of all films, it becomes an instant classic when you and a group of friends gather to guffaw at it's obvious shortcomings. And, heck, there are some legitimate Chevy jokes in Modern Problems. Don't miss the line "Smells like feet!"
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