A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
Anthropologists take a trip to the jungles of Colombia to study native cannibals. Instead, they find a band of drug dealers, using the natives to harvest coca leaves. After awhile, the natives are tired of being tortured slaves, and turn on their masters, as well as the anthropologists, thus filling the screen with gruesome splatter!Written by
Appears on a Times Square marquee in the "Damntown" story, under the title "Make Them Die Slowly" and top-billed with Demonoid (1980), in the graphic novel "Before Watchmen: Rorschach #1," released by DC Comics on October 1, 2012 and included in the "Before Watchmen: Comedian/Rorschach" collection. See more »
(at around 28 mins) When the group arrives at the village, the corpse of the Portuguese is decomposed far more than it would normally be after one day, even in the rain forest. Also, other people who died before him weren't decomposed at all. See more »
From the films initial release, pre-VRA in the UK there have always been 2 very different versions of the film, which were both released by Replay Video. There is the uncut version, and another version which is heavily edited -- including the cutting of all cannibalism, the close up of John Morghen's castration, the eye removal, the arm removal, all detail of animals being killed, Zora Kerova's death and Meg Fleming being kicked in the face. The uncut video has no picture on the front cover - only a warning of possible offence. The cut version has a picture of bones in a bloody puddle on the front. As the 'video nasties' that were prosecuted applied to all videos with the same title, both versions were removed from the shelves and no longer available See more »
There are so many versions of this movie floating around that I have absolutely no idea what was cut from the version I saw, and what wasn't. All I know is that it was the recent Grindhouse Releasing version.
I expected absolutely nothing from this movie, other than completely amateurish nonsense in the vein of an updated Hershell Gordon Lewis. I was shocked to find that Cannibal Ferox really isn't a bad movie at all. The storyline, acting and production values were as solid as you could expect from such a multi-lingual low budget exploitation flick, especially considering the amount of outdoor location shooting, and Grindhouse have done a really good job with the remastering. Lorraine De Selle is great, trying to take the whole thing seriously while Giovanni Lombardo Radice chews the scenery around her with leering, bog-eyed abandon. Zora Kerova looks like she wandered in from the set of Friday 13th Part II, all blond curls and pert tits, and suffers the consequences. The whole New York subplot stinks of running-time-filler and could be totally done away with.
The gore is minimal but effective a blink and you'll miss it latex castration and a rather more shocking breast-on-hook impalement. The much criticized animal cruelty really isn't as bad as everyone tries to make out usually consisting of little more than Discovery Channel style documentary footage of animals chasing and killing each other. On the few occasions in which people actively kill animals, they do so quickly and efficiently, and there's no sense that the animals are suffering, or no more than they would in the average abattoir. It's interesting that when animals are butchered for your viewing pleasure in Italian exploitation movies it's banned in a dozen countries, but when Coppola does it (far less humanely) in Apocalypse Now, it's art.
This was my first journey into the Cannibal genre, and if I can get my hands on Cannibal Holocaust, it won't be my last. Ferox is a fun, trashy, low budget, exploitation fest that is far more enjoyable than some of the big-budget mainstream dross that I've had to endure (Constantine anyone?).
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