With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
A former Australian policeman now living in the post-apocalyptic Australian outback as a warrior agrees to help a community of survivors living in a gasoline refinery to defend them and their gasoline supplies from evil barbarian warriors.Written by
The role of the Warrior Woman (Virginia Hey) was originally written for a man but then cast for Hey without having to make any major changes to the dialogue. See more »
During the final chase, a Ford Fairlane with police lights on the roof gets firebombed by the guards on the tanker. For just an instant before the bottles are thrown, a thick, Vaseline-like goo is visible spread all over the car's hood and roof. This is a flammable gel, applied to the car to make the flame-up look more impressive. See more »
My life fades. The vision dims. All that remains are memories. I remember a time of chaos... ruined dreams... this wasted land. But most of all, I remember The Road Warrior. The man we called "Max." To understand who he was, you have to go back to another time... when the world was powered by the black fuel... and the desert sprouted great cities of pipe and steel. Gone now... swept away. For reasons long forgotten, two mighty warrior tribes went to war, and touched off a blaze ...
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The opening chase sequence jumps straight into the action with the camera pulling out of the V8's supercharger. This scene was originally shot with Max driving past a farm that Wez and others were ransacking, the bodies of the owners hanging dead from a tree. Seeing Max they all ran to their vehicles and gave chase and there were several cars. The camera then panned out of the car's charger to signify a short passage of time and THEN the scene is as we know it with just Wez and two cars still still in pursuit due to the Interceptor's power. See more »
The first time I saw this at a friends recommendation was in 1985 on our brand new VHS vcr. I was absolutely blown away by it at the age of 16 and I still watch every few months on DVD now.I would give anything to see this on a big screen. This movie started a real trend for a lot of real crappy B movies to follow unfortunately and Mel Gibson has called this movie with an apologetic shrug 'classy B-grade trash' which is sad because it would prove to be his best movie by far. What I truly liked about this film was its lack of dialogue and how it was smart enough to let its settings, action and costumes do the talking. Perhaps this is why Gibson didn't have much praise for it because he is merely a representation of the Western gunslinger in the film. I liked how there was a sketchy explanation of how the world got into such an apocalyptic mess and lets the viewer make their own conclusion to that end. It's not important anyways. The lack of ammunition is indicated quickly through the Wez's use of a wrist-strapped crossbow, the very preciousness of gasoline is established quickly as well by Max's anxious mopping up of it and capturing it in a few make-shift items including a dusty soldier's helmet.
The original Mad Max had too much dialogue and proved problematic for the 18 year old Gibson to convey the emotion of losing his family and best friend. It had it's moments but in the end it lost it's impact due to it's own clumsy attempt at trying to establish the family-man Max. The Road Warrior didn't try to attempt any deep characterizations, the pain and suffering was quick and obvious, the need to just survive in this stark world conveyed through a few spoken words and violent actions. George Miller got it right with this one, unfortunately he had to make Mad Max first to get to Mad MaxII and horribly had to make Mad MaxIII.
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