Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ...
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In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
Hoping to cure his violent seizures, a man agrees to a series of experimental microcomputers inserted into his brain but inadvertently discovers that violence now triggers a pleasurable response his brain.
Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts killing his beautiful patients, Dr. Roberts becomes suspicious and starts investigating. What he uncovers are the mysterious - and perhaps murderous - activities of a high-tech computer company called Digital Matrix.Written by
LOOKER is an acronym in the film that stands for Light Ocular-Oriented Kinetic Emotive Responses. It has a double-meaning as its dictionary definition defines it as a very attractive person; in this movie, it refers to good-looking female models. See more »
When Dr. Roberts is looking for a hiding place for the key card, the clock on his bookshelf indicates that the time is 2.30. Seconds later, it has jumped forward 15 minutes, showing 2.45. We know this is before he's been hypnotized because the negative effect hasn't been used yet and the background music has been playing continuously. See more »
Nearing its 20th birthday, "Looker" still holds up today as a solid techno-thriller. Expertly tucking a government/industrial conspiracy beneath a blanket of computer-phobic tension, the film manages to predate the success of the "X-Files" before cyberspace became a household word.
Finney and Coburn are subtly superb in their roles, while Crichton (unintentionally) satirizes a media-saturated culture ripe for the string-pulling. Barry De Vorzon's score is hauntingly impressive (and sadly, unavailable in soundtrack form) as is the cheesy 80's title track performed by Sue Saad (later covered by Kim Carnes on her "Voyeur" album).
People have slammed the script for its lack of explanation... however, a 15-minute scene depicting a rather detailed "summing up" of the plot was deleted from the theatrical/home video cut, but did make the film's network TV airings. With or without the scene, the film is an often-overlooked gem I would strongly recommend to anyone in the mood for a slick, sci-fi thriller.
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