Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts killing his beautiful patients, Dr. Roberts becomes suspicious and starts investigating. What he uncovers are the mysterious - and perhaps murderous - activities of a high-tech computer company called Digital Matrix.
If looks could kill...
Did You Know?
Writer-director Michael Crichton
once said of this film: "Television commercials are already manipulative. That's exactly what they're supposed to do. I don't consider that kind of manipulation evil, but what would happen if someone with a bit more scientific knowledge began tampering with commercials?" See more
When Dr. Roberts is looking for a hiding place for the key card, the clock on his bookshelf indicates that the time is 2.30. Seconds later, it has jumped forward 15 minutes, showing 2.45. We know this is before he's been hypnotized because the negative effect hasn't been used yet and the background music has been playing continuously. See more
You probably think I'm beautiful, Dr. Roberts, but I'm not. I have lots of defects to fix. I have a list right here. My nose is .2 millimeters too narrow. And my cheekbones are .4 millimeters too high. And my chin has a little .1 bump here. And my areola distance is 5 millimeters. And I have a mole here on my ribs. So I need plastic surgery.
The broadcast television version contains additional footage, including a scene where Reston (James Coburn
) explains to Dr. Roberts (Albert Finney
and Cindy ('Susan Dey') why Digital Matrix had the "perfect" models killed. See more
Featured in Room 237
Flute Concerto, Op.10, No.2, RV439, La notte
Composed by Antonio Vivaldi See more