Liar's Moon

I saw the 'lighter' version of this period drama which was still a somewhat depressing saga, but nonetheless bittersweet tale of romance between the classes in conservative 1950's Texas. Fisher and Dillon make a charming couple who run afoul their disapproving parents who've more in common than they realise.

Connelly is solid as Fisher's protective father, unable to endorse his daughter's newfound love, whilst country singer/actor Axton has a comparably much smaller role playing Dillon's hard-working, more understanding dad. I also really enjoyed the antics of Dillon's roustabout friends Greenleaf and Atkins, and then Tyrrell later in the film as the 'entertainer' who befriends Fisher. The film's big stars have small but sympathetic roles, Crawford playing a compassionate family patriarch, whilst DeCarlo has a strangely superficial role (looks like it may have been edited down) as a kindly landlady.

Attractive sets and a likeable cast make it a little easier to consume what is otherwise a rather disturbing drama which doesn't always handle its subject matter as effectively as the plot demands - the cliffhanger unfolds too quickly, despite there being sufficient time for greater suspense, especially given how unsettling the consequences were to contemplate. Instead, the plot threads connect too conveniently in the film's rushed climax, which doesn't do the rest of the otherwise carefully curated film justice.

Nevertheless despite some mishandling of the more sensitive moments, the overall film is still compelling viewing and worth a watch, although having only seen what's referred to as the 'happy' version, the alternative ending could be too much to endure, all things considered.

Matt Dillon looks great in this and he was the box office draw in 1982. The entire cast is very capable of getting the audience on their side or against them. Hoyt Axton is Matt's dad in this story of love that cannot wait.

The parents have secrets that will be problems for themselves and their children. The boy and girl seem to fall in love during a greased pig chase. Lots of down home humor, but this is a very serious movie that builds to a climax.

Good scenes of old cars and trucks and hair styles and life styles. This movie will probably be appreciated by today's young high school viewers.

This movie is in a new DVD set of 100 Awesomely Cheesy Movies for about $15 today in December of 2016. It probably will be available in the future. This is a very good movie that probably should be in a better video set.

This movie is about a tragic romance that resulted because of lies. True love is found despite those lies, but the lies threaten to stop the love of Jack and Jenny. The viewer is hoping for the best and won't know until the very end of the movie. There were two endings made to this movie - one is sad and the other is happy. It all depends on what the doctor does when he comes out at the end. Watch to find out! It is a sweet movie of love and romance that'll leave the viewer in a teary suspense.

As the apprentice editor. My boss, Steve Rosenbloom, went on to edit most of Ed Zwick's films and supervise the editing of Bedford Falls shows (thirtysomething). The editor, Chris Greenbury, was English and was known for the occasional temper tantrum. I didn't know it at the time, but he was one of the fastest cutters in the business.

I was seventeen and studying film at HSPVA, Houston's High School for Performing and Visual Arts. There was an actors' strike going on in Los Angeles, so the cast and crew were really top rate for a low-budget local film.

I ran the edge coding machine. We worked on Moviolas in two rooms of a large hotel near Sharpstown. Cindy Fischer smiled at me once, and I saved enough money to make a 16mm film the next semester, before coming out to LA and going to film school at USC.

I gradually fell into the world of software development, which I love, and recently ended up at DreamWorks. So, if you watch the title crawl at the end of Shark Tale, way below the HP logo, you'll see my second feature film credit -- nearly 25 years after my first.

Gavin Doughtie

LIARS MOON is a genuine rarity: a very well produced teenage "Romeo and Juliet' drama made in 1981 and set in the deep south of the good ol' USA in 1950 - and thank god, nobody jumps off the Tallahatche Bridge a-la Ode To Billy Joe. I do believe this gorgeous film made no impression at the time... and I recently found this exquisite film on DVD in 2008 - and I am thrilled to tell ya all, this is a really really good film. There are many excellent and interesting aspects to LIARS MOON: the fantastic and accurate set design and art direction; the astute casting; the fact that the film is also made on genuine locations that really add HUD and RACING WITH THE MOON big studio quality imagery; and then there is Matt Dillon... aged about 18 and on the cusp of super-stardom thanks to THE OUTSIDERS and RUMBLEFISH. Other great acting parts belong to Broderick Crawford, Yvonne de Carlo and Susan Tyrrell, each equally effective in this beautifully created film. The photography and the lighting especially add authenticity with superb photography and image ideology. The costumes and use of real locations are the sort of quality wish-list we all want to see in a film of this style and emotion. It all works because this film is made with love care and some healthy budget. Find it and show it to teenagers.. especially daughters and nieces who will swoon squeal and cry on cue for a delicious family night at home on DVD ..in a film that does not flinch from difficult topics and good romantic suspense. In the credits you will also find Patrick Swayze's mum as choreographer.