A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her ...
See full summary »
Lady Constance Chatterley is married to the handicapped Sir Clifford Chatterley, who was wounded in the First World War. When they move to his family's estate, Constance (Connie) meets ... See full summary »
In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel ... See full summary »
Cynthia inherits her aunt's large estate and moves in. She reads her aunt's diary and finds out (and graphically imagines) how she was taught in the ways of love by her gardener in 1901 at ... See full summary »
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion. Rene discharges a personal debt by transferring possession of O... See full summary »
Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very ... See full summary »
Cynthia, new lady of Chatterly, feels neglected by her husband. During his absences she tries to amuse herself with gardener Thomas, but always gets interrupted by new visitors. While she's... See full summary »
A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Actress Sylvia Kristel and director Just Jaeckin, after making Emmanuelle (1974), had not spoken to each other for about seven years until this film project came along. The rift had developed after each had spoken publicly about the other whilst doing press publicity for Emmanuelle (1974). See more »
Hyacinth flowers are seen in the bedroom during mid autumn in Great Britain in the early 1920s. These plants bloom in the springtime. See more »
Class consciousness is the thematic excuse for this very Victorian-era story of the wife of a debilitated English aristocrat. The wife has certain "needs" that cannot be met by her husband, who is paralyzed from the waist down. So, she finds what she needs in the grounds-keeper, a ruggedly handsome man. Visual eroticism is the real theme, of course.
There's not a lot to the story. The whole thing could have been neatly told in thirty minutes. Here, it's terribly drawn out, with scenes that are way too lengthy. What's really annoying is the vanity that characters exhibit. Lady Chatterley (Sylvia Kristel), in particular, is obsessed with her own body. Partially nude, she stares vainly at herself in a mirror. For his part the grounds-keeper (Nicholas Clay) likes to do outdoor chores with his shirt off, convenient for any sensual woman who just happens to be strolling by. It's all rather obvious and superficial. Only toward the end does the story actually get interesting.
I do like the majestic musical score. And the cinematography isn't bad at all, with some good outdoor scenes in the fog. There are lots of close-up camera shots, and quite a few extreme close-ups. This film is obviously a Sylvia Kristel vehicle. But her acting is stilted and self-conscious.
Maybe the film was sexually daring in its time. By today's standards, "Lady Chatterley's Lover" is quite tame. I would mostly describe it as slow, drawn-out, and dull, with characters who are annoyingly self-centered and vain.
5 of 17 people found this review helpful.
Was this review helpful to you?
| Report this