A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
A quadriplegic man has a trained monkey help him with his paralysis, until the little monkey begins to develop feelings, and rage, against its new master.
A young man, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges.
Director:
George A. Romero
Stars:
John Amplas,
Lincoln Maazel,
Christine Forrest
The military attempts to contain a manmade combat virus that causes death and permanent insanity in those infected, as it overtakes a small Pennsylvania town.
Director:
George A. Romero
Stars:
Lane Carroll,
Will MacMillan,
Harold Wayne Jones
On an island off the coast of North America, local residents simultaneously fight a zombie epidemic while hoping for a cure to return their un-dead relatives back to their human state.
Director:
George A. Romero
Stars:
Alan Van Sprang,
Kenneth Welsh,
Kathleen Munroe
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A travelling troupe of jousters and performers are slowly cracking under the pressure of hick cops, financial troubles and their failure to live up to their own ideals. The group's leader, King Billy, is increasingly unable to maintain his warrior's rule while the Black Knight is being tempted away to LA and stardom, as they all have to ask why they were here in the first place.Written by
David Carroll <davidc@atom.ansto.gov.au>
Tom Savini plays Morgan in this modern updated Arthurian legend film. Savini's first feature film role was playing a character called Arthur in this film's director George A. Romero's vampire movie Martin (1978). See more »
Goofs
Morgan's hair as he gets out of the pool goes from being soaking wet, to barely damp. See more »
Quotes
Bagman:
You see, the way I see it is this: You got two separate fights. The one for truth and justice and the American way of life and all that. That's gotta take a backseat to the one for staying alive. You gotta stay alive! Man, you can have the most beautiful ideals in the whole world, but if you die, your ideals are gonna die with you! The important thing is we gotta stay together, we gotta keep the troupe together. And if keeping the troupe going means that we have to take some of this promoter's ...
See more »
This, quite possibly, may be my favorite of Romero's films. I adore Night of the Living Dead and Dawn of the Dead, but this one is quite special and is a complete surprise, even to Romero's hardcore fans. I remember renting it a while back because it was by Romero (and it is pretty long, 145 minutes, and I love long films). Many reviews simply stated that it was "a change of pace" for Romero, and yes, this is true, but they missed the depth and substance that this film has. It is Romero's most moving film, completely heartfelt and sincere, one that, should I say this, stirs the soul. Romero elicits incredibly naturalistic performances from his cast. It's made up of Romero regulars, including Ken Foree from Dawn of the Dead, and Tom Savini, makeup artist extraordinare and a surprisingly good actor here. It also stars a then unknown Ed Harris, who Romero discovered. Ed shows his intensity and power early on. You really feel like you're watching real people and their traveling show. Nothing feels phony, smug, or "ironic" here. The final 20 minutes is the most stirring thing that Romero has ever done (with the best scene in a school where Ed Harris gives his sword and helmet to a young school boy he met earlier in the film. The kid's performance is wonderful in a film filled with them). So, this film is much more than just a change of pace for George A. Romero. It's a deeply moving, sad film, one that should be appreciated not only for its change of pace (which Romero succeeds wildly), but for its deep, humanistic message. A wonderful piece of film-making....
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This, quite possibly, may be my favorite of Romero's films. I adore Night of the Living Dead and Dawn of the Dead, but this one is quite special and is a complete surprise, even to Romero's hardcore fans. I remember renting it a while back because it was by Romero (and it is pretty long, 145 minutes, and I love long films). Many reviews simply stated that it was "a change of pace" for Romero, and yes, this is true, but they missed the depth and substance that this film has. It is Romero's most moving film, completely heartfelt and sincere, one that, should I say this, stirs the soul. Romero elicits incredibly naturalistic performances from his cast. It's made up of Romero regulars, including Ken Foree from Dawn of the Dead, and Tom Savini, makeup artist extraordinare and a surprisingly good actor here. It also stars a then unknown Ed Harris, who Romero discovered. Ed shows his intensity and power early on. You really feel like you're watching real people and their traveling show. Nothing feels phony, smug, or "ironic" here. The final 20 minutes is the most stirring thing that Romero has ever done (with the best scene in a school where Ed Harris gives his sword and helmet to a young school boy he met earlier in the film. The kid's performance is wonderful in a film filled with them). So, this film is much more than just a change of pace for George A. Romero. It's a deeply moving, sad film, one that should be appreciated not only for its change of pace (which Romero succeeds wildly), but for its deep, humanistic message. A wonderful piece of film-making....