In a red light district, newswoman Karen White is bugged by the police, investigating serial killer Eddie Quist, who has been molesting her through phone calls. After police officers find them in a peep-show cabin and shoot Eddie, Karen becomes emotionally disturbed and loses her memory. Hoping to conquer her inner demons, she heads for the Colony, a secluded retreat where the creepy residents are rather too eager to make her feel at home. There also seems to be a bizarre connection between Eddie Quist and this supposedly safe haven. And when, after nights of being tormented by unearthly cries, Karen ventures into the forest and makes a terrifying discovery.Written by
Tim Kretschmann <Tim.K@VirComm.com>
When Karen returns to lay in bed after waking up her husband, her head changes position in two continuous shots. See more »
Dr. George Waggner:
Repression. Repression is the father of neurosis, of self-hatred. Now, stress results when we fight against our impulses. We've all heard people talk about animal magnetism, the natural man. the noble savage, as if we'd lost something valuable in our long evolution into civilized human beings. Now there's a good reason for this.
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The opening credits roll over TV static and features dialogue snippets from the movie. See more »
The original uncut Fake Porn Movie (parts of it can be seen in the sex shop scene) was supposed to be included on the UK DVD by Momentum. But the BBFC rejected it due to "serious concerns about the portrayal of sexual violence". See more »
Listen to the critics, it's actually one of the best
Yes! For a change in the horror genre this film does deserve all of the praise, hype, cult following and respect it receives, even from the critics. I would go so far as to even admit that I find this Joe (Gremlins, Innerspace, The 'burbs, Matinee, Small soldiers) Dante flick one of his best crafted works, followed by PIRANHA.
It's always been a toss up between THE HOWLING and AN AMERICAN WEREWOLF IN LONDON for the most effective lycanthropy picture of postmodern horror cinema (anything since Psycho). Where John Landis used comedy more blatantly, the humour in THE HOWLING is far more satirical and subversive. Undoubtedly, Rob Bottin's effects steal the show as well as they did for John Carpenter's THE THING. The transformation of Eddie Quist, especially on the revamped DVD is something to behold.
For anyone with a passing interest in the horror genre this is a film to include on that 'TO SEE' list. For fans of werewolf movies this should go on that 'MUST SEE' list.
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