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Title: The Howling (1981)
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| Cast overview, first billed only: | |||
| Dee Wallace | ... | Karen White | |
| Patrick Macnee | ... | Dr. George Waggner | |
| Dennis Dugan | ... | Chris Halloran | |
| Christopher Stone | ... | R. William 'Bill' Neill | |
| Belinda Balaski | ... | Terry Fisher | |
| Kevin McCarthy | ... | Fred Francis | |
| John Carradine | ... | Erle Kenton | |
| Slim Pickens | ... | Sam Newfield | |
| Elisabeth Brooks | ... | Marsha Quist | |
| Robert Picardo | ... | Eddie Quist | |
 |
Margie Impert | ... | Donna |
| Noble Willingham | ... | Charlie Barton | |
| James Murtaugh | ... | Jerry Warren | |
|
|
James MacKrell | ... | Lew Landers (as Jim McKrell) |
| Kenneth Tobey | ... | Older Cop | |
In a red light district, newswoman Karen White is bugged by the police, investigating serial killer Eddie Quist, who has been molesting her through phone calls. After police officers find them in a peep-show cabin and shoot Eddie, Karen becomes emotionally disturbed and loses her memory. Hoping to conquer her inner demons, she heads for the Colony, a secluded retreat where the creepy residents are rather too eager to make her feel at home. There also seems to be a bizarre connection between Eddie Quist and this supposedly safe haven. And when, after nights of being tormented by unearthly cries, Karen ventures into the forest and makes a terrifying discovery. Written by Tim Kretschmann <Tim.K@VirComm.com>
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The Howling
Easily one of the most historically popular werewolf films out there deserves some attention, right? Well of course. And since lately I'm getting more and more into werewolf films, I figured it was high time I actually bought this one and reviewed it. This, along with American Werewolf in London, were the two films that revolutionized werewolf movies and transformed them from just some guy running around bein' all hairy and strangling people. On top of it all, we have Joe Dante (Piranha, Gremlins) directing. Good times will be had by all!
This film revolves around a news anchor-woman who is helping the police track down a serial killer, made all the easier by the fact that he's taken an interest in her. Well, everything goes just awful and she ends up traumatized. Her shrink suggests she and her husband take a comfortable, soothing vacation in a community that he's a major part of. Of course, the movie is helped along by the fact that the town just happens to be chock full of werewolves who can't seem to decide whether to eat these new people or have them join up.
Here's the breakdown:
The Good:
--We've got some beautiful and unique looking werewolves here. The first one we have a very clear view of, in the doctor's office, almost resembles some creature that's part wolf, part man, and part cat. It just kind of had that feel--not that it's bad, I liked it.
--Interesting story, one of the better ones in the world of werewolves.
--The acting is pretty good, one has to consider the fact that a lot of actors just don't take these kinds of roles seriously enough. So finding a movie like this where they do is quite nice.
--Naked transforming werewolf sex scene by a campfire. Hmmm... maybe this should be the Memorable Scene....
--Average amounts of violence--more a suspenseful werewolf film than a visually disturbing one. The gore, while only occasional, is really good.
--Nice mystery story wrapped up in here.
Didn't Hurt It, Didn't Help:
--Decent music, somewhat average for these kind of movies.
--Dee Wallace-Stone's acting occasionally isn't quite up to par, shall we say...
--One werewolf transformation sequence is actually animated--like with cell animation and it doesn't look very good. It's brief and small, and doesn't detract from the film's overall quality.
--Dee Wallace's friends in the movie really seem to adopt the notion of werewolves rather easily--I would think it would be hard to accept that idea... oh well...
The Bad:
--Some two-dimensional characters.
--This film is in a series notorious for it's much crappier releases, but that's really about all there is that's not to like.
The Ugly:
--Robert Picardo (the hologram doctor from Star Trek: Voyager) plays the ultimate bad-ass werewolf--and boy, his face doesn't look good all charred with acid...
Memorable Scene:
--Robert Picardo's werewolf in the Doctor's office. Oh, and that werewolf transformation sex scene. That was pretty hot.
Acting: 8/10 Story: 9/10 Atmosphere: 9/10 Cinematography: 8/10 Character Development: 8/10 Special Effects/Make-up: 8/10 (some less than fancy stop-motion, and one bit of obvious animation) Nudity/Sexuality: 4/10 Violence/Gore: 8/10 (Average amount, but very high quality) Sets/Backgrounds: 9/10 Dialogue: 7/10 Music: 7/10 Writing: 8/10 Direction: 9/10
Cheesiness: 1/10 Crappiness: 0/10
Overall: 8/10
A horror must-see. One of the classic werewolf films. Personally, I think Dog Soldiers may still be a little better, but that's just me. For horror fans and a great piece for non-horror fans to find out what a good werewolf movie should look like--sans CG werewolves.
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