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A glowing green orb - which embodies ultimate evil - terrorizes a young girl with an anthology of bizarre and fantastic stories of dark fantasy, eroticism and horror.

Writers:

Daniel Goldberg (screenplay) (as Dan Goldberg), Len Blum (screenplay) | 9 more credits »
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3,821 ( 729)
4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Don Francks ... Grimaldi (segment "Grimaldi") / Co-Pilot (segment "B-17") / Barbarian (segment "Taarna") (voice)
Caroline Semple Caroline Semple ... Girl (segment "Grimaldi") (voice)
Richard Romanus ... Harry Canyon (segment "Harry Canyon") (voice)
Susan Roman ... Girl (segment "Harry Canyon") / Satellite (segment "Harry Canyon") (voice)
Al Waxman ... Rudnick (segment "Harry Canyon") (voice)
Harvey Atkin ... Alien (segment "Harry Canyon") / Henchman (segment "Harry Canyon") (voice)
John Candy ... Desk Sergeant (segment "Harry Canyon") / Dan (segment "Den") / Den (segment "Den") / Robot (segment "So Beautiful and So Dangerous") (voice)
Glenis Wootton Gross Glenis Wootton Gross ... Whore (segment "Harry Canyon") (voice)
Marilyn Lightstone ... Whore (segment "Harry Canyon") / Queen (segment "Den") (voice)
Jackie Burroughs ... Katherine (segment "Den") (voice)
Martin Lavut Martin Lavut ... Ard (segment "Den") (voice)
August Schellenberg ... Norl (segment "Den") / Taarak (segment "Taarna") (voice)
John Vernon ... Prosecutor (segment "Captain Sternn") (voice)
Eugene Levy ... Sternn (segment "Captain Sternn") / Male Reporter (segment "So Beautiful and So Dangerous") / Edsel (segment "So Beautiful and So Dangerous") (voice)
Joe Flaherty ... Lawyer (segment "Captain Sternn") / General (segment "So Beautiful and So Dangerous") (voice)
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Storyline

An astronaut brings home a glowing green orb for his daughter. However, the green orb wipes him out and corners the girl for its purposes. Claiming to embody ultimate evil, the malevolent sphere, known as the Loc-Nar, terrorizes the little girl by showing a series of bizarre and fantastic stories it has influenced. The first is "Harry Canyon", a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Loc-Nar her archaeologist father found. The second is "Den", which chronicles the adventures of a nerdish teenager who is thrown into the fantasy world of Neverwhere, where he is transformed into a handsome muscleman, desired by beautiful women, who must get involved in a conflict revolving around possession of the Loc-Nar. The third is "Captain Sternn", where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that the Loc-Nar throws into ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

Columbia Pictures takes you beyond the future into a universe you've never seen before. A universe of mystery. A universe of magic. A universe of sexual fantasies. A universe of awesome good. A universe of terrifying evil. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada | USA

Language:

English

Release Date:

7 August 1981 (USA) See more »

Also Known As:

Métal hurlant See more »

Filming Locations:

England, UK

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Box Office

Budget:

$9,300,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (premiere)

Sound Mix:

Dolby

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to his creator, Richard Corben, Den's name is an acronym for David Ellis Norman. See more »

Goofs

When Taarna examines an evil "S" medallion on the hitched bats outside the bar, it is reversed to a "Z" when she first walks up to it. As she grabs the medallion, it goes back to the correct "S" shape. See more »

Quotes

[first lines]
Narrator: A shadow shall fall over the universe, and evil will grow in its path, and death will come from the skies.
See more »

Crazy Credits

The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo. See more »

Alternate Versions

In advance work-in-progress screenings for Heavy Metal the music for the sequence "B-17" (also known as "Gremlins") opened up with a dark and lush orchestral passage by Elmer Bernstein. But when the brilliant segment "Neverwhere", which was to be 3 minutes accompanied by a song, was decided to be cut from the release prints and Columbia had to figure out somewhere to put it, they replaced Bernstein's opening score passage with the song. See more »

Connections

Referenced in The Comix Scrutinizer: Skull #3 (2014) See more »

Soundtracks

Working in the Coal Mine
Performed by Devo
Written by Allen Toussaint
Publisher: Marsaint Music/Warner Bros Music, BMI
See more »

Frequently Asked Questions

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User Reviews

Take it for what it is
26 December 2003 | by jdjnknsSee all my reviews

Sure, it's not the best animation by today's standards. However, for when it was made the animation was top notch. It does have a great voice cast and the music is great. I graduated highschool in 1991 with long hair down my back. I went to my senior prom wearing a Motley Crue t-shirt--so nothing more to be said. I think anyone like me must appreciate Heavy Metal at least on some level. I also appreciate it for the art work and the small details. Watching a beatiful warrior godess slowly don her ridiculously sexy red outfit before wielding a sword to gut a bunch of mutants--it couldn't get any better. The movie as a whole, a conglomerate of strangley unrelated yet joined stories, makes this movie a cult classic--as true as they come. Perhaps that is what is lacking in Heavy Metal 2000--truely a sad attempt as a sequel, with no potential of ever being a worthy classic to sit on a shelf next to the original. The FAKK sword is the coolest thing about the movie, besides the Simon Beasley cover art. At least I think that's Simon's work and not Royo's--perhaps someone could confirm that. Okay, but not to stray from the topic of Heavy Metal (1981)---take it for what it is--don't over analyze it. Sit back, have a few laughs, poke fun at it, and at the end I think it's worth the watch.


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