An astronaut brings home a glowing green orb for his daughter. However, the green orb wipes him out and corners the girl for its purposes. Claiming to embody ultimate evil, the malevolent sphere, known as the Loc-Nar, terrorizes the little girl by showing a series of bizarre and fantastic stories it has influenced. The first is "Harry Canyon", a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Loc-Nar her archaeologist father found. The second is "Den", which chronicles the adventures of a nerdish teenager who is thrown into the fantasy world of Neverwhere, where he is transformed into a handsome muscleman, desired by beautiful women, who must get involved in a conflict revolving around possession of the Loc-Nar. The third is "Captain Sternn", where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that the Loc-Nar throws into ...Written by
Kenneth Chisholm <firstname.lastname@example.org>
Soft Landing: A 1959 fiberglass-bodied Chevy Corvette is deployed from a space shuttle, lands on Earth, and drives up to a mansion.
Grimaldi: The astronaut goes into the mansion and shows his daughter what he found. When he opens his case, a green glowing orb rises out and melts him.
Harry Canyon: A 21st-century New York taxicab driver finds himself involved between a covetous gangster, the beautiful daughter of an archaeologist, and a green glowing orb called the Loc-Nar.
Den: A nerdish teenager is transported through space and time to another world into the body of a muscular warrior, and becomes involved in a power struggle revolving around possession of the Loc-Nar.
Captain Sternn: A square-jawed space pirate is on trial for numerous serious charges and only his character witness can save him.
[Neverwhere Land]: Deleted segment about how the Loc-Nar guided the evolution of life on Earth through violence and anger.
B-17: The remaining crew of a damaged World War II B-17 bomber must survive the machinations of the Loc-Nar.
So Beautiful, So Dangerous: A voluptuous secretary transported by accident onboard a spaceship when its crew retrieves its android.
Taarna: The Loc-Nar corrupts a tribe of human outcasts, turning them into vicious marauders that will overwhelm the world with cold, murderous violence. The last scion of a warrior race, seeking to avenge the deaths of the people she was sworn to protect, is the only being that can stop them.
The Grimaldi segment is the link device that ties this movie together. The Loc-Nar features in some way in the six stories that follow. It narrates to the captive girl tales about its great power before it begins to devour her. See more »
The rates on Harry Canyon's taxicab door vary between close and long shots. See more »
A shadow shall fall over the universe, and evil will grow in its path, and death will come from the skies.
See more »
The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo. See more »
In advance work-in-progress screenings for Heavy Metal, the music for the sequence "B-17" (also known as "Gremlins") opened up with a dark and lush orchestral passage by Elmer Bernstein. But when the brilliant segment "Neverwhere", which was to be three minutes accompanied by a song, was decided to be deleted from the release prints and Columbia had to figure out somewhere to put this, they replaced Bernstein's opening score passage with the song. See more »
I waited a bit before contributing a review for I wanted to read a few reviews to see if what I thought would be true...and it is. So let a lady step in and point out a few things for those who are interested in viewing this film.
This film was actually started in 1978, and finally released in 1981 and I was there to see it. It is based on the adult fantasy sci-fi America version magazine "Heavy Metal". The original origin of the magazine is French, very adult, very graphic, very sci-fi, lotsa nudity BUT excellent and compelling storytelling.
The key phrase is "Adult, Fantasy, Illustrated".
Just because its a 'cartoon', does not mean its for kids.
Looking at the Animation now in 2002, its dated. In the mid-80's Japanese Anime has set and kept raising the bar on this kind of adult anime genre. This early mainstream American attempt was good, for it had a good model, the magazine, Heavy Metal.
If Heavy Metal had waited to be produced until now, with all the advancements on technology, animation, graphics, art we have at our disposal, I only wish that the popular artists and storytellers of the magazine Heavy Metal were involved. It would be a different film indeed, and it would get an NC-17 rating. The only pieces that were trademarks of the Heavy Metal magazine were "Soft Landing"/"Grimaldi" "Den" and "Taarna".
More specifically, "Taarna" WAS exactly what the American Heavy Metal Magazine was all about and uncredited was Jean Giraud who has done a hell of a lot of work in the magazines history....both American and French versions is the cause for that. You may know his work by his other more famous name, "Moebius".
If you ask me, the film could have gone one of two ways: just like the magazine story by story without the silly connector of the green orb, or with just the one story of "Taarna". Back in 1978-1981, I would assume the Studio Executives could not venture into that manner without getting squeamish about box office so what we have is a tip-toe cross blend between the two. On one level it works, on another it does not. Its a viewers decision.
I like this 1981 version of the movie Heavy Metal, although a few stories didn't live up to the level of the magazine content..or were not presented as such. "Neverwhereland" should have NEVER been cut, I would have taken it over "Captain Stern" any day. "Neverwhereland" seemed to be along the lines of the magazines' content, too bad it wasn't included. "Harry Canyon" I could have taken or left, made no difference.
Additionally, I JUST loved "Den" and "B-17". I loved the soundtrack, for Metal is America. But just like the magazine, it was adult, it was fantasy, violent at points and contained nudity. It was early "R" Adult Animation American Style. (I know...Fritz the Cat was an "X" rated Animation that instead of using humans, used felines. Besides, Fritz was Ralph Bakshi's ticket outa Disney Animation and Robert Crumb is the 70's counter culture!)
This film, "Heavy Metal" was also marketed as the male dream: Metal Music, Sci-Fi, Fantasy, Nudity.
But wait...why was I...a woman interested?!?!?
It was "Taarna". This was the first animated woman in an American made mainstream animated adult feature film that the world needed, that the world depended upon, that was tough, that was independent, not a size four but voluptous, and was still very sexy. Nowadays, it may not mean much, but in 1981 when I was a teen and saw this, it meant a lot. Snow White, she wasn't and was she the Wicked Witch of the West either and that is how women were portrayed up till the release of Heavy Metal.
When I read a few stories in the adult magazines Heavy Metal from the late 70's to the early 90's, both American and French versions, the women in the majority of the stories, although drawn by European men and set in uncertain futures, wear...and in many cases...don't wear at all... and involved in explicit sexual situations..the women WERE the heroes!!
All in all, keep in mind Heavy Metal was made for an adult audience, just like the magazine. It's not just for the teenaged guys, its not just for the stoned and metal heads, its not just for the trekies or x-filers. It's a good effort for its time but if you're expectting work like in late 80s/90's Japanese Anime like "Katsuhiro Ôtomo's Akira", etc., or 2001's "Taro Rin's Metropolis" remember its 1981, and American, and NOT quite like its name sake Magazines, but its still good.
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