An astronaut brings home a glowing green orb for his daughter. However, the green orb wipes him out and corners the girl for its purposes. Claiming to embody ultimate evil, the malevolent sphere, known as the Loc-Nar, terrorizes the little girl by showing a series of bizarre and fantastic stories it has influenced. The first is "Harry Canyon", a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Loc-Nar her archaeologist father found. The second is "Den", which chronicles the adventures of a nerdish teenager who is thrown into the fantasy world of Neverwhere, where he is transformed into a handsome muscleman, desired by beautiful women, who must get involved in a conflict revolving around possession of the Loc-Nar. The third is "Captain Sternn", where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that the Loc-Nar throws into ...Written by
Kenneth Chisholm <firstname.lastname@example.org>
In the Taarna sequence, as the Barbarian hordes overrun Kraan, a bunny pops out of a barbarian's bedroll for one or two frames. See more »
The rates on Harry Canyon's taxicab door vary between close and long shots. See more »
A shadow shall fall over the universe, and evil will grow in its path, and death will come from the skies.
See more »
The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo. See more »
The 1996 US home video reissue features a three-minutes animation segment not included in the original theatrical release. The Italian videocassette release only adds the new footage in the widescreen video, not in the pan-and-scan version. The UK home video version of this film includes the missing three minute sequence after this film. See more »
A lot of reviews of this film are negative, and I spotted one that said this film is merely for the older generation. Well, I just have to say that this comment is incorrect. I myself was not produced until after the film had been around for some years (*raises hand* 1986), and I highly enjoy this wonderful flick.
I got the chance to sit down and watch the movie with my mother when I was 13, and I instantly fell in love with it. I love the way the green orb links the stories together, the humor, the music, and yes - even the animation.
True, the animation is nothing compared to the stuff that's out there these days, but this film is a classic. If you don't understand the film's stories, then you clearly weren't paying attention.
Heavy Metal magazine is fantastic, and this movie is nothing short of the magazine's beautiful creativity.
Also? Comparing Heavy Metal to its sequel, Heavy Metal 2000, is simply wrong. Heavy Metal 2000 pales in comparison to the original. Sure, the soundtrack is amazing, but in my opinion, that's about it.
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