A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ...
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Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Early in the film when Charles takes a horse-drawn carriage to visit Ernestine the horse changes between shots (confirmed by the number of "stocking" feet it has). See more »
[describing how she became the French Lieutenant's mistress]
He took me to a private sitting room, ordered food. But... he had changed. He was full of smiles and caresses, but... I knew at once that he was insincere. I saw that I had been... an amusement for him. Nothing more. I saw all this within... five minutes of our meeting. Yet I stayed.
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If you're researching the beginnings of today's Goth movement, be sure to look at this complex tale of Sarah Woodruff (Meryl Streep), a secretive, pale-skinned outcast in a 19th century English coastal town. Known to the locals as "poor tragedy," she sketches spooky self-portraits, always dresses in black and haunts the sea wall waiting for the return of a Frenchman who seduced and abandoned her. With a single, unforgettable look and such dialogue as "my only happiness is when I sleep; when I wake, the nightmare begins," Sarah bewitches visiting Londoner Charles Smithson (Jeremy Irons, in what turned out to be his big break), a paleontologist and "gentleman of leisure." The tricky screenplay by Harold Pinter contrasts the story of Sarah and Charles with the lives of actors Mike and Anna, who are playing them in a film. Offscreen, Anna is anything but Victorian, indulging in an on-location affair with Mike while her husband is away. The contrasts between the two couples born 100 years apart make for one of the most intriguing films of the early 1980s, and the performances by Irons and Streep are predictably outstanding.
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