Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
From the sight of a police officer this movie depicts the life in New York's infamous South Bronx. In the center is "Fort Apache", as the officers call their police station, which really seems like an outpost in enemy's country. The story follows officer Murphy, who seems to be a tuff cynic, but in truth he's a moralist with a sense for justice.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Rachel Ticotin's character "Isabella" was partly inspired Thomas Mulhearn's long-time Puerto-Rican/Cuban girlfriend Venus Castano. She worked in a medical office and lived in situations similar to "Isabella" at the time of writing and production. Venus Castano actually auditioned for the role despite the personal connection to the character. Though, she wasn't cast, she appeared as an extra in several scenes, along with Thomas Mulhearn and their daughter Elizabeth. See more »
Credits typo: In the closing credits, Frederick Allan, who played Corelli's brother, is credited as Corelli's bother. See more »
That's a nice coat. How'd you like me to cut it open, let all the rats out.
This coat cost more than you make in a year, motherfucker.
He knows your name.
Told you I was famous.
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NBC edited 29 minutes from this film for its 1983 network television premiere. See more »
I have just seen this film as a late night slot, a time when the occasional gem shines amidst a field of c**p. This film is most definitely a gem. The scale and variety of the issues and problems the film attempts to address are perhaps too great, meaning that there is a sense that the film leaves certain areas underdeveloped or tantalisingly unexplored. However the grit and atmosphere of the city, along with the tired pathos which defines Newman's character, are powerful enough to allow a viewer not to become disenchanted.
The film, like the cityscape in which it is set, gives an overwhelming sense of sorrow and despair, there are few bright events in the life of any character and as the film progresses it seems an endless sequence of progressively worse crises threaten to drown what humanity there is left in the character of Murphy and the Bronx as a whole. Ultimately the viewer is left with the impression that the cops and society as a whole are powerless in the face of entropic decline.
Definitely not for those needing to raise their spirits and less powerful than the brilliant "Taxi Driver," "Fort Apache, the Bronx" is still a tale capable of making the viewer think, about himself and his society, and ultimately that is a noble end to achieve.
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