Don't Look in the Attic

Well, I'm an Italian horror big fan and I love movies from directors such Argento, Fulci, Bava Sr and Bava Jr, only to quote the most famous. "La villa delle anime maledette" is one of the most unknown movie of this genre, shot when this kind of cinema began its crisis that continues still today, and director Carlo Ausino sounds totally new to my ears (althoug he directed six movies... this is the price Italian directors have to pay to not work in Rome...) . But the film is not so bad. And it's absolutely not correct to talk about "trash". OK, the plot is not so original; it reminds me stuff like the Amytville series (the year is the same of "Amityville Possession" by Damiano Damiani) or "Shock", the last work of Mario Bava. But you have to think that this is the movie of a cinematographer (like Mario Bava movies); so the most important thing is the atmosphere, not the story or the characters; atmosphere very well created by the use of light and by the camera movement. The rest remain in the background. I think the movie works; not so good, but works; it's surely better than a lot of Hollywoodian production like "the Haunting" which have a bigger budget, but not bigger ideas...

Also known as House of the Damned, Don't Look in the Attic is one of those horror films the title of which explicitly warns somebody not to do something, but they do it anyway. During a seance, a disembodied voice also warns Elisa (Annarita Grapputo) 'Don't go to Turin!', so she books a flight to Turin. After taking her obligatory horror movie shower, Elisa notices words written in the condensation on her bathroom mirror: Don't go to the villa! The property in question is the one that she has inherited along with her cousins Tony (Antonio Campa) and Bruno (Fausto Lombardi), a supposedly accursed villa with a history of mysterious deaths. She moves in. She deserves everything that's coming to her!

While living at the villa (which, judging by the noises that can be heard outside, is in the middle of a jungle), brothers Tony and Bruno come to blows, Elisa unable to prevent them from fighting. Spooky stuff starts to happen, including strange otherworldly lights and a bed sheet that draws back by itself (an amazing special effect achieved by attaching a string to the sheet). After Bruno's wife is hit by a car, he proposes to Elisa so that she can bear him a son (hmm... cousins!). Meanwhile, the family lawyer Ugo (Jean-Pierre Aumont) investigates his business partner Casati (George Ardisson), encouraged by his ex-lover Martha (Beba Loncar), who suspects that all is not right. Other stuff happens, but it's all so incredibly dull and none of it makes much sense. Director Carlo Ausino achieves zero suspense, delivers no scares, and no gore, and the whole affair really drags. A total dud.

I saw the Mogul Video VHS of this. That's another one of those old 1980s distributors whose catalog I wish I had!

This movie was pretty poor. Though retitled "Don't Look in the Attic," the main admonition that is repeated in this is "Don't go to the villa." Just getting on the grounds of the villa is a bad idea. A character doesn't go into the attic until an hour into the movie, and actually should have done it earlier because of what is learned there.

The movie starts in Turin, Italy in the 1950s. Two men are fighting, and a woman is telling them the villa is making them do it. One man kills the other, then regrets it, and the woman pulls out the knife and stabs him with it. She flees the villa, and after she's left a chair moves by itself (what's the point of that?), but when in the garden a hand comes up through the ground and drags he into the earth.

From there, it's the present day, thirty years later. There's a séance that appears suddenly and doesn't appear to have anything to do with the movie. The children of the woman from the prologue are inheriting the house. The main daughter is played by the same actress who played her mother. At least one of the two men from the prologue seems to reoccur as another character too. She's haunted by some warnings not to go to the villa, but they all do, since if they do not use it, they forfeit it. People die. A lawyer who has won all his cases tries to investigate a little. The ending is pretty poor. Why was the family cursed? An unfortunately boring movie.

There's an amusing small-print disclaimer on the back of the video box that reads "The scenes depicted on this packaging may be an artist's impression and may not necessarily represent actual scenes from the film." In this case, the cover of the box is an illustration that does more or less accurately depict the aforementioned woman dragged underground scene, although there are two hands, and the woman is different. It's true, sometimes the cover art has nothing to do with the movie. I also recall seeing a reviewer who had a bad movie predictor scale, in which movies with illustrations on the cover instead of photos got at least one point for that.

During a séance, a woman is warned by the spirit of her dead mother- "DON'T GO TO TURIN....DON'T GO TO THE VILLA". So what does she do? Well, naturally, she high-tails it to Turin, and heads straight for the villa. Said villa, which she and her siblings have recently inherited, is haunted by malevolent spirits who enjoy driving people nuts and turning lights red. By the time our dim-witted leading lady finally looks in the attic, you'll most likely be in a deep slumber. Who cares, though? You will miss absolutely nothing of interest, and any dream you may have will be infinitely more entertaining than this uninvolving, crudely dubbed Eurotravesty.

3.5/10

I usually have a high level of tolerance for inept and cheaply made horror movies from the early 80s, especially if they come out of Italy, but I honestly had to drag myself towards the end of "Don't Look in the Attic", and constantly had to battle the urge not to press the fast-forward button. What an incredible dud of a film!

The plot is senseless, incomprehensible, and - worst of all - utterly boring. Three people that are related but don't know each other inherit a mansion in which their parents died in 1955. The mansion is supposedly in Turin, but I'm guessing it's in the middle of the zoo of Turin judging by the exotic animal sounds coming from outside. The mansion also comes with an ageing butler that pops up out of nowhere. There's a whole lot of whining about ancient family curses and conversations with tombstones, but zero action. The body count is low, and the couple of death sequences are ruined by miserable editing and lousy effects (like the woman who gets run over by a car). Terrible.

Writer/director Carlo Ausino previously made "Torino Violenta", which is one of the worst Poliziotesschi flicks from the 70s but still vastly superior over this nonsense.