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Death Wish II (1982)

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Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.

Director:

Michael Winner

Writers:

David Engelbach, Brian Garfield (characters)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Charles Bronson ... Paul Kersey
Jill Ireland ... Geri Nichols
Vincent Gardenia ... Det. Frank Ochoa
J.D. Cannon ... New York D.A.
Anthony Franciosa ... Herman Baldwin
Ben Frank ... Inspector Lt. Mankiewicz
Robin Sherwood ... Carol Kersey
Silvana Gallardo Silvana Gallardo ... Rosario
Robert F. Lyons ... Fred McKenzie
Michael Prince Michael Prince ... Elliott Cass
Drew Snyder ... Deputy Comm. Hawkins
Paul Lambert ... New York Police Comm.
Thomas F. Duffy ... Nirvana (as Thomas Duffy)
Kevyn Major Howard ... Stomper
Stuart K. Robinson Stuart K. Robinson ... Jiver
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Storyline

Paul Kersey, the vigilante, now lives in LA with his daughter, who is still recovering from her attack. He also has a new woman in his life. One day while with them, Kersey is mugged by some punks, Kersey fights back, but they get away. The leader, wanting to get back at Kersey, goes to his house, but Kersey and his daughter Carol are not there. The muggers rape his housekeeper, and when Kersey and his daughter arrive, they knock him out and kidnap her. After they assault her, she leaps out of a window to her death. Kersey then grabs his gun and goes after them. When the LA authorities, deduce they have a vigilante, they decide to consult with New York, who had their vigilante problem. Now the New York officials, knowing that Kersey lives in LA, fears that he's back to his old habit. Fearing that Kersey, when caught will reveal that they let him go instead of prosecuting him send Inspector Ochoa to make sure that doesn't happen. Written by <rcs0411@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

He wants the filth off the streets. If the police can't do it... He will - his way! See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English

Release Date:

19 February 1982 (USA) See more »

Also Known As:

Death Sentence See more »

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Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend USA:

$1,871,487, 7 March 1982, Limited Release

Gross USA:

$16,100,000

Cumulative Worldwide Gross:

$45,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Eager for brisk sales at foreign film markets, Cannon touted that the budget of the film was "Close to 10 million dollars" but actual production insiders said it was close to 2 million dollars. See more »

Goofs

The doctor supposed to be giving therapy to Charles Wilson is named Dr. Clark, yet Kersey writes the name Dr. Carter on the fake hospital ID. See more »

Quotes

Jiver: Don't worry
[grabbing his pants to male tourist]
Jiver: I'll be good.
See more »

Connections

Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010) See more »

Frequently Asked Questions

See more »

User Reviews

 
May cause a desire to take a shower (and that's the point)
15 August 2006 | by BrandtSponsellerSee all my reviews

The second Death Wish film has a very strange concatenation of qualities. It can come dangerously close to running off the rails altogether, but overall, I think it's a more successful film than the first Death Wish.

The first peculiarity is that much more strongly than the first film, Death Wish II's urban crime-ridden backdrop is exaggerated to a point of caricature. Of course, there was plenty of crime in Los Angeles during this era, but not as depicted here. This is almost Broadway-style crime, with choreographed gaggles of hoodlums running out of control in designer gang-wear, making spectacles of themselves. It's over the top but serious in a way that feels uncomfortable at first, but then, that's just the point, and it helps anchor the plot developments that follow.

And that plot should be no surprise to anyone who first watches Death Wish I. Death Wish II follows the plot of its predecessor as if it were a fairly rigid template. Even the events that cause Paul Kersey (Charles Bronson) to take charge and clean up society's scum by his lonesome are very similar. I don't see this as a flaw here (as I don't in many other sequels that use a template approach, including series like Friday the 13th). This is a direct continuation of the story of the first film, and the similarity gives Death Wish II both a natural, logical flow and a nice symmetrical structure.

Although Death Wish I had its brutal moments, Death Wish II amplifies that atmosphere and sustains it through its length. Like the films that best display gritty 1970s New York City--such as Taxi Driver (1976) and Basket Case (1982)--Death Wish II makes you feel almost dirty (in the grimy despair way, not a sexual way) while watching it. It's ironic, maybe, that Death Wish II does this so well when the setting is Los Angeles as opposed to actually being New York City, as in the first film. That director Michael Winner is able to perpetuate that atmosphere, whether by accident or design, results in the viewer being sucked into the setting and vicariously experiencing the range of unpleasant emotions felt by both the protagonists and the antagonists.

Also helping on that end is the score, provided by Led Zeppelin guitarist Jimmy Page. Although Winner sometimes incorporates Page's music in a discordant, jarring way--over the opening credits when it fights for volume with radio banter, for example--more often than not the score gives Death Wish II a sublime, otherworldly and eerie edge. It's too bad that Page didn't go on to score many more films.

This is certainly not a film to show during family time, and it's not particularly uplifting or overflowing with positive messages or socially redeeming values. But it's not trying to be any of those things. It's just a visceral (especially on an emotional level), disturbing revenge flick, and at that, it meets its goals well.


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