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Raw Meat Midnights This Weekend at The Moolah – ‘Late Night Grindhouse’

“Mind the doors! “

Raw Meat screens Midnights this weekend (June 30th and July 1st) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, Mo 63108) as part of Destroy the Brain’s monthly Late Night Grindhouse film series.

Trapped by falling masonry during construction of the London Underground, a group of Victorian workers survive in the bowels of the earth for more than a century, breeding amongst themselves and cannibalizing the dead. A hundred years after their ordeal began, the last remaining descendant (Hugh Armstrong) finds his way back to the surface and begins to abduct people from station platforms in a desperate bid for companionship…..and food.

Despite its lurid title, the 1972 cannibal-in-the-subway movie from Gary Sherman (whose Dead And Buried and Vice Squad have already played Late Night Grindhouse), Raw Meat is one of the most intelligent and boldest horror films of the ‘70s. The opening scenes of
See full article at WeAreMovieGeeks.com »

Death Line aka Raw Meat

This early gore-horror picture has a remarkable emphasis on human values, believe it or not, with a ‘monster’ that nevertheless is a paragon of loving gentleness. Add Donald Pleasance as a surly, posh-hating police inspector, and the shock value makes the Hammer films of the early ’70s taste like weak tea.

Death Line

Blu-ray + DVD

Blue Underground

1972 / Color / 1:85 widescreen / 87 min. / aka Raw Meat / Street Date June 27, 2017 / 39.98

Starring: Donald Pleasence, Norman Rossington, David Ladd, Sharon Gurney, Hugh Armstrong, June Turner, Christopher Lee.

Cinematography: Alex Thomson

Art Direction: Dennis Gordon-Orr

Film Editor: Geoffrey Foot

Original Music: Jeremy Rose, Malone Wil

Written by Ceri Jones from a story by Gary Sherman

Produced by Paul Maslansky

Directed by Gary Sherman

In 1972, making a horror film was a safe way to start a career: almost anything screen-able could get a release, and if your show had enough shock value, it might even get positive critical attention.
See full article at Trailers from Hell »

This Week’s Wamg Podcast – Beauty And The Beast, Kong Skull Island, and More!

This week’s episode of our podcast We Are Movie Geeks The Show is up! Hear Wamg’s Jim Batts and Tom Stockman talk movies. Our guest in the studio today is Jim Tudor, founder of ZekeFilm and reviewer for ScreenAnarchy. We’ll discuss the weekend box office and review Beauty And The Beast, Kong Skull Island, Land Of Mins, Sense Of An Ending, and The Zookeeper’S Wife. We’ll also discuss all of the movies showing locally including 1984, Streetcar Named Desire and Dead And Buried. We’ll also talk about retro movies coming out on Blu-ray.

Here’s the show. Have a listen:

http://www.wearemoviegeeks.com/wp-content/uploads/Wamg-3-20-54.mp3

The post This Week’s Wamg Podcast – Beauty And The Beast, Kong Skull Island, and More! appeared first on We Are Movie Geeks.
See full article at WeAreMovieGeeks.com »

Dead And Buried Midnights This Weekend at The Moolah

“You can try to kill me, Dan. But you can’t. You can only make me dead. ”

Dead And Buried screens Midnights this weekend (March 24th and 25th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, Mo 63108) as part of Destroy the Brain’s monthly Late Night Grindhouse film series.

1981 was a stellar year for horror films! Just ask Andy Triefenbach, who programs at Late Night Grindhouse midnight series. The Evil Dead, The Burning, My Bloody Valentine, The Beyond, House By The Cemetary, and Nightmare have all played midnights at the Late Night Grindhouse monthly film series in recent years and they all celebrate their 36th anniversary in 2017. Dead And Buried, co-written by St. Louis native Dan O’Bannon (two years after he co-wrote Alien and 3 years before he wrote and directed Return Of The Living Dead – another Lngh fave) may not be as well-known as those shockers,
See full article at WeAreMovieGeeks.com »

‘Hellboy 3’ Is Dead And Buried Says Director Guillermo Del Toro

Despite all the recent excitement, Hellboy 3, unfortunately, isn’t happening at all. Director Guillermo Del Toro and Ron Perlman have both confirmed the sad news. It’s a sad day for Hellboy fans. After a long hard fight to get Hellboy 3 off the ground, both Ron Perlman, who played the character in previous films, and […]

The post ‘Hellboy 3’ Is Dead And Buried Says Director Guillermo Del Toro appeared first on Fortress of Solitude.
See full article at Fortress of Solitude - Movie News »

Drive-In Dust Offs: Raw Meat aka Death Line (1972)

  • DailyDead
British horror was still going through a transitional phase by the early ‘70s. Trying to turn people’s perception away from cobweb strewn castles and fog laden swamps, they played in the modern day with such classics as Tales from the Crypt, The Abominable Dr. Phibes, The Vault of Horror, Theatre of Blood, and Asylum. (Okay, those are either anthologies or Vincent Price films, but there are many other goodies as well.) So strong was the vibe that an American made the leap across the pond for his directorial debut, Raw Meat Aka Death Line (1972), a grimy, funny, and surprisingly poignant first effort from Gary Sherman (Dead and Buried).

Released in England in ’72 under the original Death Line title, it would take until September of ’73 to be unleashed on American soil by Aip under its better known moniker. Critics were decidedly mixed on Raw Meat; Roger Ebert considered it a “good debut” for Sherman,
See full article at DailyDead »

Blu-ray Review: The Return Of The Living Dead Collector’s Edition

It’s hard to believe that the same year George A. Romero released Day of the Dead, the ultra-gory, ultra-bleak conclusion of the trilogy he began with Night of the Living Dead in 1968, writer/director Dan O’Bannon was spinning Romero’s original classic into a totally new direction with The Return of the Living Dead. Whereas Romero’s film is dark and sober, Return is pure punk rock anarchy—a horror comedy that successfully manages to be equal parts horror and comedy while introducing one of the most significant elements into the zombie mythos since Romero first made them flesh-eaters 17 years earlier.

The film’s ingenious premise—which was “meta” before being meta was really a thing—is that the events of the original Night of the Living Dead really did take place and were covered up, with the zombies locked into airtight drums and left in the basement of a medical supply facility.
See full article at DailyDead »

The Dead Lands | Review

Dead and Buried: Fraser’s Sumptuously Filmed, Familiar Revenge Drama

Premiering at the Toronto Film Festival and snagging the distinction of representing New Zealand as the official best foreign language selection in 2014, Toa Fraser’s The Dead Lands is the first film to be shot entirely in the Maori language and to be told entirely from their character perspective (and not in their relation to white characters). That the narrative is entirely derivative, and with a brutality that will put one, peripherally, in mind of Apocalypto (yes, that Mel Gibson about the Mayans) is sometimes easy to overlook considering the film’s vibrant palette. But as well intentioned as these honorable characterizations are intended in Glenn Strandring’s script, on film they are shapeless archetypes of good vs. evil in an endless cycle of violence brought to a wishful thinker’s fantastical resolution.

Wirepa (Te Kohe Tuhaka), the young leader of a bloodthirsty,
See full article at IONCINEMA.com »

Producers Lab Toronto reveals line-up

  • ScreenDaily
The UK’s Isabelle Stead, Canada’s George Ayoub and Australia’s Kristian Moliere are among those selected for this year’s Producers Lab Toronto.

The24 producers from Europe, Canada, Australia and New Zealand will participate in the fifth edition of the networking platform, which runs Sept 3-6 during the Toronto International Film Festival (Sept 4-14).

Plt is targeted at producers who have had previous experience in working on international co-productions and now have projects in the pipeline that could be interesting for the international market.

European producers

The ten European producers were selected by European Film Promotion’s member organisations from previous participants of its Cannes-based initiative Producers on the Move. They include:

Human Films’ co-founder Isabelle Stead, who has played a key role in the new wave of Iraqi cinema by producing such award-winning films as Mohamed Al-Daradji’s Son Of Babylon and In The Sands Of Babylon. She is now
See full article at ScreenDaily »

Review: Dark Souls II (Xbox360)

I remember not long after it was released, one of my friends bought me Dark Souls for my birthday. It wasn’t a game I’d heard very much about, and so was intrigued as to how good a game I’d been given. No more than an hour into the game I was starting to think I was the victim of some cruel joke my friend had played, and yet, something about Dark Souls kept me going back to it. From Software had created a game so unforgiving it was infuriating, and yet it was never unfair, and it is for that reason, when I was given the opportunity to review Dark Souls II I jumped at the chance.

I always like to keep an open mind when I play a game, since no game is the same as its predecessors. Sequels I find tend to be a bit
See full article at Shadowlocked »

Attention Chicago Horror Fans: Meat the Massacre October 12

My favorite 24-hour horror movie marathon, the Massacre takes place October 12 at the Patio Theater here in Chicago and the guest list is truly surprising. Fans can expect to meet, greet and get stuff signed by Mark Patton, the star of A Nightmare on Elm St. 2, Fred Walton, the director of April Fool's Day and the original classic When A Stranger Calls and last but hardly least, the one and only Gary Sherman, director of such classics as Dead and Buried, Raw Meat, and Vice Squad. The schedule of films looks fun as well. 11:30am - Trailer Trash (Vintage Horror Trailers & Shorts)Noon - Edison's Frankenstein (Silent with Live Organ!)12:30pm - Frankenstein Meets The Wolfman2pm - The Tomb of Ligeia3:45pm - Martin5:30pm - Dead and Buried (dir. Gary Sherman...

[Read the whole post on twitchfilm.com...]
See full article at Screen Anarchy »

It’s Not TV: HBO, The Company That Changed Television: The Movie Duels

14) The Movie Duels

Hell, there are no rules here – we’re trying to accomplish something.

Thomas Edison

There’s a story that on the November night in 1972 when HBO went on the air for the very first time to a few hundred subscribers in Wilkes-Barre, Pennsylvania, Gerald Levin – then HBO’s top programmer and soon-to-be chief exec – ordered living room furniture installed in his office so he could watch that premiere night of HBO the way the channel’s first subscribers would see it. He wanted to see HBO through their eyes.

Today, in an era of Netflix, Hulu, on-demand, downloadable content available on almost everything but the kitchen toaster, it’s hard to appreciate how novel the concept of HBO was over 40 years ago. Except for a few small pockets of the country which had experienced the come-and-go efforts of earlier subscription TV services, nobody – including the people running
See full article at SoundOnSight »

Fright Exclusive Interview With Mondo Poster Artist Jay Shaw!!

Poster artist Jay Shaw has already made a name for himself by creating some of the coolest prints for Mondo, Gallery 1988 and more than a handful of other studios. While a lot of other artists feel the need to throw every single detail of a film into their posters, Shaw’s style is a very unique one, typically focusing on an identifiable object from the film, and working from there.

By far my favorite artist working today, Jaw’s posters are plastered across my walls at home, and it’d be an accurate statement to say that I was pretty stoked to spend a little bit of time speaking with Jay regarding his work with Mondo & Gallery 1988, how he got into poster design, and some of his favorite horror films. Read on!

You have a very unique style to your work, while a lot of artists throw everything And the kitchen sink into their stuff,
See full article at Icons of Fright »

Philip Anselmo’s Housecore Horror Film Festival Announces “Killer” Programming, Special Guests!!

Philip Anselmo, vocalist for influential metal band Pantera, has teamed up with true-crime author Corey Mitchell to bring the first annual Housecore Horror Film Festival to Austin, Texas this October, and they’ve just announced the festival’s lineup/special guests. Read on!

“Halloween is still seven months away, but the horror is already heating up in Austin as Philip Anselmo and Corey Mitchell’s inaugural Housecore Horror Film Festival (Hhff) continues to release music and film event details for their three-day underground fan fest. Not for the faint of heart, the festival celebrates the best of the extreme and the wicked possibilities that arise when heavy metal and horror movie worlds collide. Today, Hhff announces a very special guest appearance by Brazilian cult horror actor and director Coffin Joe, a first look at some of the film festival screening categories, special events and other programming, and a second round
See full article at Icons of Fright »

First Ever Housecore Horror Film & Metal Festival in Austin

Austin, Texas—In what can only be described as a match made in hell, the worlds of heavy metal and horror collide this fall as the first-ever Housecore Horror Film Festival (Hhff) erupts in Austin, Texas. World famous heavy metal pioneer Philip H. Anselmo (Pantera, Down, Superjoint Ritual, et al.) and internationally renowned, best-selling true crime author Corey Mitchell (Hollywood Death Scenes, Dead and Buried, et al.) have teamed up to create the ultimate underground, three-day … Continue reading →
See full article at Horror News »

Ramrod is Coming! Vice Squad at the Hi-Pointe Midnights this Weekend!

“Make a move, and make my day!”

If you think that line was said by Clint Eastwood in one of his Dirty Harry films, you’d be mistaken. It was uttered in 1982, the year before Sudden Impact, in director Gary Sherman’s sensationally sleazy Vice Squad, a sordid but exciting look at life on the seedy strip of Hollywood and Sunset Boulevard when the sun goes down. The guys at Destroy The Brain.com usually feature horror fare at their monthly Late Night Grindhouse midnight series, but this weekend’s offering is indeed Vice Squad, a crime film more in line with a pair of Linda Blair movies (Chained Heat and Savage Streets) they showed last year (appropriate since Vice Squad star Wings Hauser dated Linda Blair for several years).

It may be hard out there for a pimp but the opening of Vice Squad where Ramrod, the sadistic pimp played by Hauser,
See full article at WeAreMovieGeeks.com »

Want to grab lunch with 'Gremlins' director Joe Dante? Or have your script read by an Oscar-nominated screenwriter? Then check out the 'Trailers From Hell!' Kickstarter campaign

Want to grab lunch with 'Gremlins' director Joe Dante? Or have your script read by an Oscar-nominated screenwriter? Then check out the 'Trailers From Hell!' Kickstarter campaign
For fans of cult movies, Internet treasure troves don’t get much more treasure-y — or, I guess, trove-y — than Trailers From Hell!, the site where Gremlins director Joe Dante and his fellow “grindhouse gurus” talk viewers through vintage film promo clips.

Where else could you hear Hellboy auteur Guillermo del Toro recall wearing a fake moustache to sneak into 1981 horror flick Dead and Buried? Or Re-Animator director Stuart Gordon ruminate on the racially-charged ridiculousness of 1972′s The Thing with Two Heads? Or Animal House filmmaker John Landis entertainingly babble on about his days playing Roddy McDowall’s human slave in
See full article at EW.com - Inside Movies »

Review: Dead & Buried (Blu-ray)

Potters Bluff is a quaint seaside town in Rhode Island that’s “the size of a postage stamp” according to its Sheriff, Dan Gillis (James Farentino). He has a beautiful wife, Janet (Melody Anderson), and the respect of the townspeople. It’s the kind of place where everyone is happy to see you, and they hope you’ll stick around for a long, long, time.

However, Sheriff Gillis has a problem no civil servant wants to have: His small town has been the site of several mysterious tourist murders. With the help of the local coroner, Mr. Dobbs (Jack Albertson), the poor Sheriff is in a no-win situation as bodies keep showing up.

Written by Dan O’ Bannon (Alien) and Ronald Shusett, Dead & Buried is the kind of really weird, and chokingly atmospheric horror movie they just don’t make anymore. Everything is shrouded in fog, day and night. And everyone acts a little strangely,
See full article at DailyDead »

Return Of The Living Dead Comes to London This Saturday! The Innkeepers Sneaks on May 24th

Need I say more? Well, not much, as we have our pals at Cigarette Burns Cinema delivering the gory good details. Read on!One legendary cult favourite and one future classic...Join Cigarette Burns Cinema for Return Of The Living Dead and The Innkeepers in May Salutations from Cigarette Burns! May promises to be one of the most exciting months in Cigarette Burns cinema history, with not one but two incredible screenings that any fan of the fearful and fantastic would be foolish to forgo. Return Of The Living Dead - Saturday 19th May, 23.30pm First up, on Saturday 19th May, we're bringing a spanking new print of Dan O'Bannon's (Alien, Dark Star, Dead and Buried) erstwhile zombie classic Return Of The Living Dead to the Rio Cinema, Dalston....
See full article at Screen Anarchy »

How The Nutty Professor Explains Eddie Murphy's Entire Film Career

Pretty much every time Eddie Murphy releases a film like A Thousand Words, Imagine That, Meet Dave or even Daddy Daycare, the critical world at large starts wondering out loud about whether we'll ever see the 'return of funny Eddie,' which is of course code for 'R-rated Eddie Murphy.'  The implication is, of course, that Murphy's more family-friendly work isn't funny, which is true (Meet Dave, The Haunted Mansion) about as often as it's false (Shrek, Dr. Doolittle).  But what these pundits fail to realize is two-fold.  First of all, we've been wondering when the Eddie Murphy of old will return longer than he was around in the first place.  Second of all, that persona is dead.  Dead and buried, and Mr. Murphy killed it himself right onscreen in front of us 16 years ago.  The very film that launched his most recent 'comeback' is the film that revolved
See full article at Moviefone »
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