Dead & Buried (1981)

A suspense horror film set in a small coastal town where, after a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses begin to come back to life.

Director:

Gary Sherman (as Gary A. Sherman)

Writers:

Jeff Millar (story), Alex Stern (story)

Stars:

James Farentino, Melody Anderson, Jack Albertson

2 nominations.

Cast

Cast overview, first billed only:
James Farentino	...	Sheriff Dan Gillis
Melody Anderson	...	Janet Gillis
Jack Albertson	...	William G. Dobbs
Dennis Redfield	...	Ron
Nancy Locke	...	Linda (as Nancy Locke Hauser)
Lisa Blount	...	Girl on the Beach / Nurse Lisa
Robert Englund	...	Harry
Bill Quinn	...	Ernie
Michael Currie	...	Herman
Christopher Allport	...	George Le Moyne / Freddie
Joseph G. Medalis	...	Doctor (as Joe Medalis)
Macon McCalman	...	Ben
Lisa Marie	...	Hitchhiker
Estelle Omens	...	Betty
Barry Corbin	...	Phil

Storyline

Sheriff Dan Gillis has a nice life with his wife, the teacher Janet Gillis, in the small coastal and friendly town of Potter's Bluff. When visitors are mysterious killed in the town, Sheriff Gillis investigates the cases carefully and finds that dead people are reanimating and coming back to life. Dan finds a book of witchcraft and voodoo in his wife's drawer and he suspects that she might be practicing black magic. Dan meets the coroner-mortician William G. Dobbs and learns the dreadful and surprising secret.

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Plot Keywords:

extreme violence | zombie | murder investigation | screaming | photographer | 

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Taglines:

It will take your breath away... all of it.

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Genres:

Horror | Mystery

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

9 October 1981 (USA)

Also Known As:

Look Alive

Filming Locations:

Goldwyn Studios - 1041 N Formosa Avenue, West Hollywood, California, USA

Box Office

Budget:

$3,000,000 (estimated)

Company Credits

Production Co:

Barclays Mercantile Industrial Finance

Technical Specs

Runtime:

94 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

During filming, Director Gary Sherman purposely avoided letting the color red be visible in any scene, so the sight of blood during the murder sequences would be all the more shocking. Sherman even went as far as to have the taillights of vehicles replaced with purple lights, instead of the normal red.

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Goofs

The hitchhiker can be seen as a zombie before she is actually killed, reconstructed and brought back to life. This is because the abandoned house scene - where she is clearly visible as one of the dead townfolk - was originally placed in the film after her resurrection.

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Quotes

Dan Gillis: Betty and her toys. There's nobody else to talk to on that damn police channel and she can't call me by my name. That's TV cop shows, Harry. That's what does it.
Harry: Do you think the county would let me have this rig for salvage?
Dan Gillis: Anyhow, she said that he was on his way.
Harry: Okay, no hurry. The fellow in there is a definite goner. Get a good gander that that face, Danny?

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Alternate Versions

Even though the film was shown uncut on cinema in Sweden, a very unique decision back then due to the hard policy on violence, the Transfer rental VHS release is cut by several minutes.

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Connections

Referenced in There's Nothing Out There (1991)

User Reviews

Moody, magical horror

Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.

The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.

DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.

Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.

The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.

A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.

The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.

Exceptional.