A young boy, Conan, becomes a slave after his parents are killed and tribe destroyed by a savage warlord and sorcerer, Thulsa Doom. When he grows up he becomes a fearless, invincible fighter. Set free, he plots revenge against Thulsa Doom.
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A village is attacked by the evil ruler of the Snake Cult, Thulsa Doom (James Earl Jones) and his evil warriors, when Thulsa Doom and his warriors kills his parents, a young boy named Conan (Jorge Sanz) is enslaved. Years later, Conan grows up and becomes a mighty warrior and is trained as a fighter. After years as a slave and as a gladiator, Conan is set free. Conan sets out on a quest as he vows to avenge his parents and solve the riddle of steel. Joined by a archer named Subotai (Gerry Lopez), a beautiful thief who falls in love with Conan, Valeria (Sandahl Bergman) and a Chinese wizard (Mako), Conan and his companions sets out to rescue Princess Yasmina (Valérie Quennessen), daughter of King Osric (Max von Sydow), from the Snake Cult, and get his revenge on Thulsa Doom and avenge his parents.Written by
Daniel Williamson
Gerry Lopez who played Subotai was a champion surfer but had little acting experience. His only notable previous film role was playing himself in the film Big Wednesday (1978), also directed by John Milius. See more »
Goofs
(at around 49 mins) When Valeria reaches for the jewels after they first steal from the tower, her hand is faced downwards but when Conan grabs her and seductively moves the jewel over her, her hand is turned over so she can move her fingers towards the jewel. See more »
Quotes
[first lines]
The Wizard:
Between the time when the oceans drank Atlantis and the rise of the sons of Aryas, there was an age undreamed of. And unto this, Conan, destined to wear the jeweled crown of Aquilonia upon a troubled brow. It is I, his chronicler, who alone can tell thee of his saga. Let me tell you of the days of high adventure!
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Region 2 Japanese Ultimate Edition features the fully uncut International version, including all scenes missing from shortened version, such as the extra scene with Conan and Subotai before the battle on the mounds, the Princess leading Conan back through Doom's fortress, the extended ending, and the epilogue narrative by Akiro, as well as a DTS track. The Ultimate Edition also includes several deleted scenes:
when Conan and Subotai first enter the village, they are shown stopping by a vendor (played by director John Milius) selling lizard-on-a-stick. The vendor says, "Want food? This is on a stick...fresh. Quick, there are many to feed!" Shortly thereafter in the film, Conan remarks that the food is good, to which Subotai replies, "You have no idea how long it's been there!"
a scene of silhouettes on a wall fighting
a cut scene of King Osric being attacked and killed in his throne-room by (presumably) Doom's soldiers
another cut scene of King Osric's demise, shot from a different angle, which ends with him staring at the reflection of his dying self in a mirror astride the throne, which he then shatters with his sword before collapsing An outtake is also included that takes place just after Conan is freed from bondage, and is climbing the rocks leading to the Atlantean General's tomb, and is being pursued by wild dogs. As Arnold is climbing, one of the dogs reaches him, biting him, and a crew member runs on-screen to intervene as Arnold shouts "Goddamnit!" in pain.
In an age of Xena-esque fantasy adventure films (al la the tepid Scorpion King) It is startling to go back and see just how good this movie still is. "Conan" is not for the faint of heart, and not just for gore - there are far more bloody movies out there - but for the uncompromising warrior-ethos John Milius infused into his vision. There is nothing PC about this fantasy world. When he is asked "what is best in life?" Conan paraphrases Genghis Khan: "Crush your enemies, see them driven before you, and hear the lamentations of their women!" We are not led to believe he is kidding. It is true that Arnold is no great actor, but it is also true he has always stuck with parts he can handle, and he does a fine job as Conan, but the real star here is the director. John Milius is one of the greats, totally unappreciated in his time, and his sweeping scope and epic, gritty battle sequences add a dimension lacking from almost every other S&S film. There is a grim aura of doom pervading the movie that fits the original Howard stories to a T, and I think Robert E Howard would have really liked this movie. James Earl Jones gives a killer performance as the evil Thulsa Doom, rivalling Darth Vader himself. A last point in this film's favor is the score. Basil Poledouris turned out his best score ever for this film: Brooding, powerful and operatic, it lends the film a grandeur Hercules could only dream of. I must have seen this film 40 times and I still never get tired of it.
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In an age of Xena-esque fantasy adventure films (al la the tepid Scorpion King) It is startling to go back and see just how good this movie still is. "Conan" is not for the faint of heart, and not just for gore - there are far more bloody movies out there - but for the uncompromising warrior-ethos John Milius infused into his vision. There is nothing PC about this fantasy world. When he is asked "what is best in life?" Conan paraphrases Genghis Khan: "Crush your enemies, see them driven before you, and hear the lamentations of their women!" We are not led to believe he is kidding. It is true that Arnold is no great actor, but it is also true he has always stuck with parts he can handle, and he does a fine job as Conan, but the real star here is the director. John Milius is one of the greats, totally unappreciated in his time, and his sweeping scope and epic, gritty battle sequences add a dimension lacking from almost every other S&S film. There is a grim aura of doom pervading the movie that fits the original Howard stories to a T, and I think Robert E Howard would have really liked this movie. James Earl Jones gives a killer performance as the evil Thulsa Doom, rivalling Darth Vader himself. A last point in this film's favor is the score. Basil Poledouris turned out his best score ever for this film: Brooding, powerful and operatic, it lends the film a grandeur Hercules could only dream of. I must have seen this film 40 times and I still never get tired of it.