Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis's son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished.Written by
Anthony Pereyra {hypersonic91@yahoo.com}
Initially, Calibos had no dialogue and was a purely stop-motion character. After a rewrite to the script, dialogue was added and the role was given to Neil McCarthy. See more »
Goofs
Early in the movie when Perseus and his mother are about to be thrown into the sea, a large wave crashes on the shore and clearly soaks/surprises everyone. A second later they change to a close up of the king speaking and everyone is dry. See more »
Quotes
Acrisius:
Bear witness, Zeus, and all you gods on high Olympus! I condemn my daughter Danae, and her son Perseus to the sea! Her guilt and sin have brought shame to Argos! I, Acrisius the King, now purge her crime and restore my honor! Their blood is not on my hands!
See more »
Crazy Credits
In the closing credits, the cast is divided into three categories: The Immortals (for the gods of Olympus), The Mortals (humans, etc.), and The Mythologicals (As Themselves) (In Alphabetical Order) Bubo, Charon, Dioskilos, Kraken, Medusa, Pegasus, Scorpions, Vulture. Those 8 are the non-human animated characters supplied by special effects. See more »
Alternate Versions
The UK cinema release was cut by the BBFC to secure an 'A' rating and removed the closeup of Calibos stabbing a man's back with a trident, as well as shortening the scene where Calibos is stabbed in the stomach by Perseus. The cuts were restored in all video/DVD releases and the certificate upgraded to a 15 (12 for the DVD). See more »
It's nice to know that with all the different Herculeses running around that no one forgot Perseus (the great grandfather of Hercules as a matter of fact). While the creators took obvious liberties with the story, the special effects are stunning, some of Ray Harryhausen's best. Medusa is right dead on although the concept of her as a naga (snake-goddess) hit me out of left field. The visualization of Olympus and the gods on it was a boring and stagnant without any major grandeur. They're attired in white togas with no creative costuming what so ever and no glimpses of the other myriad gods of Olympus. Ursula Andress would not have been my choice for Aphrodite, but Susan Fleetwood resembles Isabella Rosselini of "The Odyssey" enough to pull off Athena, but kudos have to go to whoever got Sir Laurence Oliver to play Zeus. Even next to Roy Dotrice, John Rhys-Davies or perhaps Sean Connery, he is the only man who could give the role the command it deserves. More liberties were taken with Thetis as the wife of Poseidon,though, her presence forced into the story is only merely there to inflict the fateful curse. Harry Hamlin may not be an action star, but he does well in the role. Beautiful Judi Bowker makes for an entrancing Andromeda despite the trial she went through chained to a cliff at high tide. Burgess Meredith is whimsical and wise as the playwright who Perseus befriends, and Neil McCarthy emotes as best as he can as the new character Calibos inserted into the legend. The few things I can find fault with at all is the obvious overuse of previous footage whenever Perseus flies over Joppa. The tiny robotic owl Bubo is as charming as a big, stupid, purple dinosaur on PBS, but the images of Pegasus are as spectacular as you would expect. The images flying through the air again are foiled by the obvious overuse of stock footages and the telling scenes with stop-motion. Despite these few faults, this is a very enchanting fantasy and a very under-appreciated movie.
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It's nice to know that with all the different Herculeses running around that no one forgot Perseus (the great grandfather of Hercules as a matter of fact). While the creators took obvious liberties with the story, the special effects are stunning, some of Ray Harryhausen's best. Medusa is right dead on although the concept of her as a naga (snake-goddess) hit me out of left field. The visualization of Olympus and the gods on it was a boring and stagnant without any major grandeur. They're attired in white togas with no creative costuming what so ever and no glimpses of the other myriad gods of Olympus. Ursula Andress would not have been my choice for Aphrodite, but Susan Fleetwood resembles Isabella Rosselini of "The Odyssey" enough to pull off Athena, but kudos have to go to whoever got Sir Laurence Oliver to play Zeus. Even next to Roy Dotrice, John Rhys-Davies or perhaps Sean Connery, he is the only man who could give the role the command it deserves. More liberties were taken with Thetis as the wife of Poseidon,though, her presence forced into the story is only merely there to inflict the fateful curse. Harry Hamlin may not be an action star, but he does well in the role. Beautiful Judi Bowker makes for an entrancing Andromeda despite the trial she went through chained to a cliff at high tide. Burgess Meredith is whimsical and wise as the playwright who Perseus befriends, and Neil McCarthy emotes as best as he can as the new character Calibos inserted into the legend. The few things I can find fault with at all is the obvious overuse of previous footage whenever Perseus flies over Joppa. The tiny robotic owl Bubo is as charming as a big, stupid, purple dinosaur on PBS, but the images of Pegasus are as spectacular as you would expect. The images flying through the air again are foiled by the obvious overuse of stock footages and the telling scenes with stop-motion. Despite these few faults, this is a very enchanting fantasy and a very under-appreciated movie.