6.9/10
37,293
193 user 101 critic

Clash of the Titans (1981)

Perseus must battle Medusa and the Kraken to save the Princess Andromeda.

Director:

Desmond Davis

Writer:

Beverley Cross
Reviews
Popularity
2,820 ( 61)

On Disc

at Amazon

2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Laurence Olivier ... Zeus
Claire Bloom ... Hera
Maggie Smith ... Thetis
Ursula Andress ... Aphrodite
Jack Gwillim ... Poseidon
Susan Fleetwood ... Athena
Pat Roach ... Hephaestus
Harry Hamlin ... Perseus
Judi Bowker ... Andromeda
Burgess Meredith ... Ammon
Siân Phillips ... Cassiopeia
Flora Robson ... A Stygian Witch
Anna Manahan Anna Manahan ... A Stygian Witch
Freda Jackson ... A Stygian Witch
Tim Pigott-Smith ... Thallo
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Storyline

Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis' son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Plot Keywords:

quest | gods | remade | mythology | zeus | See All (131) »

Taglines:

You will feel the power. Live the adventure. Experience the fantastic. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

12 June 1981 (USA) See more »

Also Known As:

Furia de titanes See more »

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Box Office

Budget:

$15,000,000 (estimated)

Gross USA:

$41,092,328
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby (as Dolby Stereo)

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This was the only movie by Ray Harryhausen to get a "PG" rating. In the past, all of his films were "Approved" and, as of 1969, rated "G" (especially the 1970s re-releases of some of his older movies). See more »

Goofs

Scenery is visible through the flying bird in several shots during the opening credits. See more »

Quotes

Thetis: Hear me, vain and foolish mortal woman. You dare compare your daughter's beauty to mine and in my own sacred sanctuary? You will repent your boast and the cruel injury you have inflicted on my son, Calibos.
Cassiopeia: Forgive. Forgive.
Thetis: In 30 days, on the eve of the longest day of the year, your daughter Andromeda must be taken to the sacrificial rock at the edge of the sea, there bound and chained to the stone. She must be unknown to man, a virgin. A sacrifice suitable for the Kraken. She must be ...
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Crazy Credits

In the closing credits, the cast is divided into three categories: The Immortals (for the gods of Olympus), The Mortals (humans, etc.), and The Mythologicals (As Themselves) (In Alphabetical Order) Bubo, Charon, Dioskilos, Kraken, Medusa, Pegasus, Scorpions, Vulture. Those 8 are the non-human animated characters supplied by special effects. See more »

Alternate Versions

The UK cinema release was cut by the BBFC to secure an 'A' rating and removed the closeup of Calibos stabbing a man's back with a trident, as well as shortening the scene where Calibos is stabbed in the stomach by Perseus. The cuts were restored in all video/DVD releases and the certificate upgraded to a 15 (12 for the DVD). See more »

Connections

Referenced in Breaking In: Cash of the Titans (2012) See more »

Soundtracks

The Lovers
(uncredited)
Composed and Conducted by Laurence Rosenthal
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Frequently Asked Questions

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User Reviews

Setting things straight
28 November 2001 | by Guy-64See all my reviews

I am not here to comment on the admittedly laughable acting. I am not here to ridicule the uninteresting and thoroughly unoriginal storyline. But if anyone, anywhere in the world, endeavours to say a bad word about Ray Harryhausen's special effects, that's where my moral sense of outrage kicks in and I jump into action. Harryhausen's efforts may not closely resemble the flashy, ultrareal CGI-effects we're used to seeing right now. Heck, they may even be primitive for the time they were made in. But darnit, they're vintage! What Harryhausen and his two (that's right, just two!) assistants bring us is unfiltered movie magic, and one of the last true testaments to a dying artform. I know at least a few people who agree with me, which is always a comfort.


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