An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself.
Charles E. Sellier Jr.
Five campers arrive in the mountains to examine some property they have bought, but are warned by Forest Ranger Roy McLean that a huge machete-wielding maniac has been terrorising the area.... See full summary »
A janitor at a summer camp is accidently burned severely from a prank. Years later, he is released from an institute, and returns to the camp with a pair of hedge clippers to take revenge on the campers.Written by
The film's closing credits declare that this picture was: "Filmed in Western New York". See more »
When Sally is showering herself, the amount of shampoo in her hair changes from shot to shot. See more »
Tonight's the night. Cropsy's going to get what he deserves. Remember what he did to you, Snoop?
And when he beat up Jamie really bad for nothing? Billy says Cropsy's been getting away with this shit for years. If we pull this off, it'll be the biggest number Camp Blackfoot has ever seen.
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The UK distributers, Vipco, released the full uncut version of the film in Denmark. However, they used exactly the same video sleeve as the UK version. The only way to tell the two video's apart is a sticker saying "Strong Uncut Version" on the front and side of the box. However, Vipco are at this time not currently releasing any more uncut European titles, so this version is no longer easy to obtain. The Uncut version is available on DVD from German distributers Dragon, however due to German censorship laws which restrict the availablity of uncut releases, it is a little difficult to track down on import and highly sought after. See more »
An abusive caretaker at a lonely summer camp is disfigured by fire during a prank which goes horribly wrong. Five years later, he returns to the area to take revenge against one of his former persecutors (now a camp counsellor) and the kids in his charge.
Makeup artist Tom Savini rejected an opportunity to work on "Friday the 13th Part 2" (1981) in order to create effects for Tony Maylam's THE BURNING, yet another in the assembly line of low-budget horror movies which emerged in the wake of HALLOWEEN (1978). Savini warned the film's producers - including a fledgling Harvey Weinstein! - that the script for THE BURNING shared uncomfortable similarities with the "Friday" sequel, though fans may have been too dazzled by the gruesome set-pieces to either notice or care. In truth, THE BURNING shares only a handful of superficial details with "Friday 2", including a late night campfire episode in which the villain is dismissed as an urban legend, culminating in a false 'scare' which today's audiences will probably see coming a mile off. Despite a couple of groan-inducing incidentals ("Oh, I forgot my vitamins - I'll have to go back to my cabin through the dark, creepy woods!"), the narrative develops organically from one scene to the next, and characters react believably to the escalating situation. Unfortunately, the climax - set mostly within an abandoned mineshaft - is staged and executed with little flair or suspense, and amounts to something of a major disappointment.
Of course, the main point of interest - besides seeing some familiar faces in early roles, including Jason Alexander (TV's "Seinfeld"), Fisher Stevens (SHORT CIRCUIT) and an unrecognisable Holly Hunter - is Savini's horrific makeup effects: Victims are slashed, stabbed, punctured and poked in graphic detail, and blood flows copiously from some horribly convincing wounds. Indeed, the film reaches a crescendo of horror during a notorious sequence involving an 'abandoned' canoe (I'll say no more), one of the most vicious set-pieces of the 1980's 'slasher' cycle. Briskly paced, and scored with a series of electronic doodles by no less than Rick Wakeman (!), THE BURNING may seem awfully simplistic to modern viewers, but it delivers the gory goods in no uncertain terms. The movie was censored for an R-rating, but the uncut version has since been released on home video.
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