The story of Helmut and Karl Hoffmann. Both come of age at the start of Hitler's power in Germany. Helmut joins the SS and eventually becomes a successful flag rank officer. Karl joins the ... See full summary »
Seven German soldiers are enclosed in one bunker during the Second World War. They soon feel surrounded by enemies. When they hear about the tunnel-system beneath the bunker and some mystic... See full summary »
A young student seeks quiet and solitude to focus on an important work but ends up as the teacher of a peculiar boy who is home-schooled by his parents in an isolated bunker mansion. THE ... See full summary »
Oona von Maydell
A dramatization of the life of Albert Speer, Adolf Hitler's young architect and one-time confidant, and his meteoric rise into the Nazi hierarchy. This movie is based on Speer's autobiography of the same name.
On March 1, 1932, the infant Charles Lindbergh, Jr., the son and namesake of the famed pilot, is kidnapped. After he is later found dead, a German immigrant named Bruno Hauptmann is tried for kidnapping and murder.
Cliff De Young,
Peter the Fisherman (Robert Foxworth) and Paul of Tarsus (Sir Anthony Hopkins) assume leadership of the Church as they struggle against violent opposition to the teachings of Jesus Christ and their own personal conflicts.
In 1945, The Third Reich is in its death throes with the Allies relentlessly attacking the capital city of Berlin. Its Führer, Adolf Hitler (Sir Anthony Hopkins), retreats into his fortified bunker in Berlin with his senior staff. There, gripped with delusions of grandeur and despair, Hitler commands a hopeless last stand with resources existing largely in his own mind. While resisting the pleas of rational minions like Albert Speer (Richard Jordan), basic reality finally comes unavoidable. With that, Hitler and his fanatical fellows prepare for their own end even as their grandiose dreams are becoming a smoking ruin above.Written by
Kenneth Chisholm (email@example.com)
At that point in his career, Composer Brad Fiedel started to add more experimental sounds and techniques in his work. This movie was largely as an extended improvisation using sounds he created on the then-new Prophet-10 synthesizer. See more »
In the film, the stairway between the upper bunker (vorbunker) and the lower bunker (fuhrerbunker) is shown as spiral. All witnesses to the final days in the bunkers say that it was a normal staircase with right angles. See more »
As a military historian, I've probably seen every film depicting Hitler and the last days of the Third Reich there is. Some stand out. "Inside the Third Reich" with Derek Jacobi, and "Hitler: The Last Ten Days," with Alec Guinness, to name a few. But as slow and downright melodramatic as this film is, I think that Anthony Hopkins' Hitler is right on the money, A superb acting job with a difficult role. He brings the image of an old man, difficult, palsied, volatile, confused, distant and changeable as a chameleon on an acid trip to life for the screen. It's not hard to play the classic Hitler with fits of rages and dour looks, but there is a lot more to it, and Hopkins pulls it off magnificently. He literally ages before your eyes and the gray pallor of the Bunker's stone walls seems to seep into his skin with every scene. Jordan as Speer is believable, and the somber, dirgelike music pulls out the hopelessness of the last gasp of the Nazi rat pack's future. Accurately done, but Hopkins is the real star here. But as one other user commented, is it really so hard for a Brit or an American to manage a German accent? Do all civilized Germans sound as if they had been raised in coventry? Ach du Lieber!
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