Ned Racine is a seedy small town lawyer in Florida. During a searing heatwave he's picked up by married Matty Walker. A passionate affair commences but it isn't long before they realise the only thing standing in their way is Matty's rich husband Edmund. A plot hatches to kill him but will they pull it off?Written by
Col Needham <firstname.lastname@example.org>
At the end of the movie, as Ned thumbs through the yearbook, the way he flips through the pages is wrong. He looks at "Tyler" first, then flips the page forward for "Simpson". Since "S" comes before "T", he should have flipped the pages backwards to see the "Simpson" photo. See more »
The guy came to us with a business proposition. We're always looking for opportunities, if the conditions are right. We're willing to take an occasional risk, if the downside isn't too steep. But this guy hadn't done his homework, he didn't know the bottom line. That's how I knew he was full of shit. You've got to know the bottom line. That's all that really counts. He didn't have the goods, this guy. He was like a lot of guys you run into - they want to get rich, they want to do it quick, they...
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CBS edited 5 minutes from this film for its 1984 network television premiere. See more »
Body Heat: 9 out of 10: Many successful movies lose their ability to shock over the years. After hundreds of copy cats Alien isn't as effective as when it first came out. Kramer vs. Kramer certainly isn't the shocking eye opener it once was.
Body Heat should suffer the same fate. It doesn't. Despite a hundred direct to video takes on the same story (six of them with the exact same title) the movie still works. In fact it works very well indeed.
Writer Lawrence Kasdan had just penned Raiders of the Lost Ark and Empire Strikes Back so it is a surprise he chooses noir for his first directing outing. (His next film was The Big Chill so this is one guy hard to pigeonhole) He both updates and in many ways upgrades the noir of the past.
By setting the movie in a Podunk Florida town he invokes John D Macdonald the way no Macdonald movie treatment has successfully done. His then unknown actors William Hurt and Kathleen Turner are pitch perfect.
This is a movie that really brings some new things to the table as it does some old things very well indeed. Like the best noir you are too involved to even begin to try to guess the next twist and turn.
Like Scorsese in Goodfellas or Huston in the Maltese Falcon Kasdan's directing is obviously very good yet his tricks remain hidden from view. Not a wasted shot and your television will sweat from all the heat generated.
Highly recommended to all fans of noir or simply fans of movies.
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