A wealthy writer, who has had terrible experiences with money-hungry girlfriends and ex-wives, pretends to be a broke, washed-up novelist, to see if the woman he loves wants him for himself, or just for his money.
Not until three years after the death of her husband Jolly, Kay dares to move back into their former house, persuaded by her new fiancé Rupert. But soon her worst expectations come true, ... See full summary »
It is 1957. J.C. Cullen is a young man from a small town, with a talent for winning at craps, who leaves for the big city to work as a professional gambler. While there, he breaks the bank ... See full summary »
Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things ... See full summary »
The story of famous frontiersman Jim Bridger, who is given 40 days to cut a trail through the Rocky Mountains to the California coast and told that if he can't do it, the territory will be lost to England.
The producers were happy that principal photography had wrapped when it did due to a pending SAG (Screen Actors' Guild) strike according to the July 22, 1980, edition of "Daily Variety". The strike and Emmy Awards boycott, which included the AMF and AFTRA, ran from July 1980 until 25th October that year. See more »
There's nothing more exciting than seeing a slick Hollywood player like Sally Field getting down-and-dirty like she does in "Back Roads". At one point, she and her two male pals (Tommy Lee Jones and David Keith) are at a county fair and have no money. No problem! Sally fixes her hair and says to the guys, "Don't wait up." She knows how to make money (with her body) and nonchalantly sets out to do it. She's proving nothing to no one--it's second-nature to her--and when Keith calls her a 'whore' she tells him, "A whore is a sixteen-year-old with a bad reputation. I...am...a...hustler!" There are many moments to cherish in this rough jewel: Field standing outside the school where the little boy she gave up for adoption attends, running into his angry mother; Field writing a letter to the same child, telling him how sorry she is; Jones and Field getting off their bus after a fight and going their separate ways, each trudging down two dusty streets. It's a top-notch road comedy with Field and Jones overcoming the obvious sentimentality of the overall conception and making a memorable duo. *** from ****
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