"American Pop" is the animated story of a very talented and troubled family starting with 19th century Russia and moving through several generations of musicians. The film covers American popular music from the pre-jazz age through rhythm and blues, 1950s rock 'n' roll, drug-laden psychedelia, and punk rock, finally ending with the onset of New Wave in the early 1980s.
The State of the Art in Living Animation
See more »
Did You Know?
After the "People Are Strange" song, an animated scene of the Bay Lop execution is briefly shown. See more
The German Soldier who shoots the pianist is wearing an American Helmet with a Swastika painted on the front (which was not the case in any German forces during the war). Also, his weapon is obviously a semi-automatic rifle but he fires it full-automatic as though it were a sub-machine gun. See more
[Tony has injured himself and lies in bed wearing casts around his neck, leg, and arm
How do you feel?
Like a fuckin' M&M: dig my thin candy shell.
Disclaimer before soundtrack listings: The following songs were depicted as being written by fictional characters. The producer would like to thank the true composers. See more
In some versions of the film, dialog has been redone in at last two scenes, presumably to make points more clear. For example, in Little Pete's first scene, he is asked what his Dad would say about him hanging backstage with a rock band. In one version, Pete says "Nothing. He's dead." In the other version, he instead says "I never met my Dad. He's some kind of mystery" (which serves as a better setup for information learned later) Also, Tony returns to the band's apartment after his release from the hospital, only to find they have moved out. In both versions, under 'People Are Strange,' we hear him on the phone with a friend, but the phone conversations begin completely differently. In one we never learn what happened to the band, only that they seemed to have moved out and left Tony behind, while in the other we learn that the band has gone on to big things, with a gold album. Both versions' phone calls end the same way, though, with Tony desperately asking his friend for money or drugs. See more
Composed by Peter Yarrow
and N. Paul Stookey
(as Paul Stookey)
Performed by Peter Paul & Mary
Courtesy of Warner Bros. Records See more