The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.
- Frankie
- (voice)
- (as Marya Small)
- Tony
- (voice)
- …
- Louie
- (voice)
- Bella
- (voice)
- Zalmie
- (voice)
- Eva Tanguay
- (voice)
- Crisco
- (voice)
- (as Frank De Kova)
- Benny
- (voice)
- (as Richard Singer)
- Hannele
- (voice)
- Palumbo
- (voice)
- Nancy
- (voice)
- Leo Stern
- (voice)
- Little Pete
- (voice)
- Izzy
- (voice)
- Beat Poet
- (voice)
- Prostitute
- (voice)
- Showgirl #1
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe incident in which Zalmie's mother dies is the 1911 Triangle Shirtwaist Factory fire, one of the worst industrial disasters in New York City's history. 146 garment workers, mostly immigrant women, died either in the fire, or by jumping from the windows of the 8th-10th floors because the doors were locked shut. The fire prompted legislative and union action to improve safety and working conditions in garment sweatshops. The words "Triangle Shirtwaist" can be briefly seen on the wall of the sweatshop during the first scene of the sequence.
- GoofsZalmie and his mother flee the czar in Russia but when they are in the US they speak German.
- Quotes
[the 1980s - Pete has grown up dealing cocaine. He arrives at a recording studio]
Pete: [Slamming down briefcase full of cocaine on table] Pizza man! We deliver!
Musician: You got the coke, daddy-o?
Pete: What do I look like, man? A soda fountain?
Musician: Hey, what else you got there?
Pete: Songs.
Musician: You scorin' songs now too?
Pete: Givin' 'em away, a song an ounce.
Musician: By who?
Pete: Me!
Musician: You can keep the songs, man.
Pete: I will keep the coke too!
- Crazy creditsDisclaimer before soundtrack listings: The following songs were depicted as being written by fictional characters. The producer would like to thank the true composers.
- Alternate versionsIn some versions of the film, dialog has been redone in at last two scenes, presumably to make points more clear. For example, in Little Pete's first scene, he is asked what his Dad would say about him hanging backstage with a rock band. In one version, Pete says "Nothing. He's dead." In the other version, he instead says "I never met my Dad. He's some kind of mystery" (which serves as a better setup for information learned later) Also, Tony returns to the band's apartment after his release from the hospital, only to find they have moved out. In both versions, under 'People Are Strange,' we hear him on the phone with a friend, but the phone conversations begin completely differently. In one we never learn what happened to the band, only that they seemed to have moved out and left Tony behind, while in the other we learn that the band has gone on to big things, with a gold album. Both versions' phone calls end the same way, though, with Tony desperately asking his friend for money or drugs.
- ConnectionsEdited from Applause (1929)
- SoundtracksAmerican Pop Overture
Arranged by Lee Holdridge
Now I can see how one could criticize this movie. Basically, it all depends on how you watch it. If you watch it as a drama, you'll be disappointed. The plot is very centered around the one tragic late hippieish character, and is pretty simple and predictable. But there's a certain amount of charm within the overall story, kind of a sad, but beautiful shine.
If you watch it more as a musical, the movie works fine. The songs chosen are fantastic, and they totally underline the feel of the scenes in which they are used. In one of the first scenes, taking place in Czar-era Russia, there is no dialogue, only subtitles (giving it a great historical feel). The soundtrack is a sad and stirring Russian song sung acappella. You really get a sense of what the characters were going through.
This style continues throughout the movie. One of the most emotional scenes, for me, takes place in a cornfield, with the character torn apart with what he's done with his life. Janis Joplin's version of "Summertime" (an interesting choice, perhaps a hint of a throwback to earlier eras, as it is a Gershwin tune) as haunting as ever plays as the character cries. Messed up. But well done.
Jimi Hendrix has a cameo. A pseudo-Joplin/Slick character has a major role. A Sex Pistols parody jams it out. Late 70s corporate goons are running the studio. Great fun.
And that's how you have to enjoy the movie; and that's probably why music geeks will love it more than anyone else.
- dividebyzero
- Nov 23, 2003
Details
Box office
- Budget
- $1,500,000 (estimated)
Contribute to this page
