Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Mike Gallagher is a Miami liquor wholesaler whose deceased father was a local mobster. The FBI organized crime task force have no evidence that he's involved with the mob but decide to pressure him into perhaps revealing something - anything - about a murder they're sure was a mob hit. They let Megan Carter, a naive but well-meaning journalist, know he is being investigated and Gallagher's name is soon all over the newspaper. Gallagher has an iron-clad alibi for when the murder occurred but won't reveal it to protect his fragile friend Teresa. When Carter publishes her story, tragedy ensues. Needing to make amends, Carter tells Gallagher the source of the first story about him and he sets out to teach the FBI and the Federal Attorney a lesson.Written by
Kurt Luedtke, the film's screenwriter, initially pitched the idea for the film to an agent at the Ziegler Diskant Agency, and then started working on the picture's development with director George Roy Hill, the latter of whom would later leave the picture. See more »
The articles in the newspaper use "dummy text" unrelated to the headlines. See more »
This movie looks to have all the elements of a classic but somehow falls short. Unscrupulous prosecutor dupes reporter Field into creating (false) impression that businessman Newman was involved in a murder, in the hope that will somehow help his investigation. The lie has unexpected and tragic consequences, after which Newman turns the tables. Field is fine as liberated yet vulnerable thirty-something, Newman is also good if a little obscure in a difficult role; but Brimley as Asst US Attorney steals the show when he finally blows the whistle on everyone. Brimley's short time in this movie really is classic and Oscar-quality. The overall problem here is a little too much soapbox and not enough real emotion from nearly everyone.
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