Falcon Crest

Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.

Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.

Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).

Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.

Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.

Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.

I love this show and this is a lot coming from a 16 year old. The show is deliciously humorous and dramatic at the same time. The show is headed by Jane Wyman as the conniving and manipulative Angela Channing. I feel as though this is one of the best shows of the 80s along with Dallas, Dynasty, and Knots Landing. The show also had other great actors and characters such as Robert Foxworth as Chase, Susan Sullivan as Maggie, David Selby as Richard, Lorenzo Lamas as Lance, Ana Alicia as Melissa, and Cesar Romero as Peter. The number of guest stars was amazing. The wardrobe was fabulous. This show was a perfect example of prime time soaps in the 80s.

A TOAST TO YOU FALCON CREST AND LONG SHALL YOU LIVE.

Initially dismissed as "Dallas with grapes" Falcon Crest was created by Earl Hamner Jr. who also created such TV series as The Waltons and Apple's Way. His more wholesome take on a night-time soap was similar to that which you might think - one that romanticizes family values (While providing an examination of complicated family interpersonal relations) and work ethic. The Northern Italian roots of his maternal grandfather was an influence upon his crafting of the backstory of Falcon Crest.

But the main inspiration for Falcon Crest was Hamner's own experience owning an unsuccessful vineyard in the Napa Valley in California in the 1970s, an unprofitable investment which nevertheless inspired him via his experiences. His own time as a struggling writer is doubtless an inspiration for Maggie Gioberti - hapless freelancer.

Beginning as a more family friendly night-time soap airing right after Dallas on CBS Angela Channing was set to be portrayed by Barbara Stanwyck reflecting her matriarchal role on The Big Valley TV series in the 1960s. Barbara Stanwyck passed on the role which was then taken on by Jane Wyman.

The original unaired pilot for the series starred Clu Gulager as Chase and Samantha Eggar as Maggie. The roles were recast and Robert Foxworth who had been approached with playing the role of J.R. on Dallas was brought in to play Chase, a very different character on what would be a different kind of prime time serial.

The series inevitably declined in its later years long after it had said what it had to say. Hastening the decline was the departure of series stars and recycling of plot-lines.

Who could have thought that Earl Hamner,the creator of The Waltons would follow in the footsteps of series creators Lee Rich and Aaron Spelling? Well,Lee Rich was the brains behind "Dallas" and "Knots Landing",while Aaron Spelling was at the helm behind "Dynasty","Hotel",and "The Colbys", Hamner was the creator behind "Falcon Crest" one of the solid classic soap operas that ever came to prime-time. While it rivoted viewers from 9 seasons on CBS-TV,it was one of the top ten shows of the 80's and early 90's. This show was totally different and it didn't take it stories too seriously since it was set in the Tuscany Valley of California which consisted of wealthly vinyardists who would bickered at each other,and plot and scheme their way to the top of the empire. Leading by some heavy hitters including legendary actress Jane Wyman,Susan Sullivan,Robert Foxworth and Lorenzo Lamas and not to mention special appearances by Ursula Andress and actor Eddie Albert,this show was to make the expected the unexpected and so forth. Great series! Catch it on SoapNet!

I got hooked on this show after the first few years had passed. These nighttime soap operas were known for their season-ending cliffhangers and this one was no exception. The best seasons of the series were 1986-1989, when they experimented with a faster-paced style of storytelling that was quite smart and exciting. This had by far the best sense of humor of all the soaps and featured excellent acting from Jane Wyman, Ana-Alicia, David Selby and Susan Sullivan (now on "Dharma and Greg") Interesting note: during many of its later years, this show's music was composed by Mark Snow, who went on to do the famous "X-Files" theme and score. I wish they still showed reruns of this show somewhere!