A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.Written by
John Vogel <email@example.com>
Production began in October 1977; copyright date is 1979. See more »
When Eli pulls Cameron onto the crane, Eli's arm wraps around him and stays wrapped around him for the rest of Cameron's closeups even though Eli has removed the arm to tell Cameron to look into his camera. See more »
[after Nina falls into the ocean, Cameron carries her in his arms back to shore]
This is just like in the movies!
I *am* the movies.
See more »
After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
One of Our Greatest Actors.. ..at his absolute best.
At the time Peter O'Toole was Academy Award nominated as Best Actor, for his portrayal of one-step-above-God-himself, Eli Cross in The Stunt Man, my movie going experience was limited to The Wonderful World of the Brothers Grimm, Mary Poppins, and some post pubescent indulgences into the realm of Flint, Matt Helm, and James Bond.
Through the magic of video I was able to see Richard Rush's wonderful black comedy- And have never tired of it.
Had Mr. O'Toole and The Stunt Man not run headlong into the likes of Raging Bull, and Robert De Niro, I venture to say it would have garnered WINS, not just NOMINATIONS from the Academy that year.
Rent it and while you're at it reach for `My Favorite Year' and make it a Peter O'Toole double feature.
You will not be disappointed.
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