A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
American engineer Steve Corey comes to Mexico to work at one of the mining projects owned by Katherine Beckman and her half-brother Paul. He meets Katherine, and the man he is replacing, ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.Written by
John Vogel <email@example.com>
The film is considered a cult movie and is listed in Danny Peary's "Cult Movies 3" book as such. See more »
In one of the WW1 scenes, a wall is painted with the names of two French towns: Verdon and Nancy. "Verdon" should be spelled "Verdun," which is not far from the French town of Nancy, and was the site of a famous WW1 battle. See more »
Man watching second unit stunt shot:
[after corpse-strewn scene turns out to be faked]
Great, but why do they always use so much blood? Ruins the realism, don't you think?
See more »
After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
A true original comedy that wouldn't get made today.
This is a very funny and entertaining movie that doesn't fit into any one category. It's about a slightly crazed movie director who is making a WW1 movie in Southern California who hires a fugitive to replace his top stuntman. Peter O'Toole gives perhaps his best performance ever as the egomaniacal filmmaker who will do anything, perhaps even murder someone, in order to protect his artistic vision. The underrated Steve Railsback is good also as the paranoid Vietnam vet turned fugitive from the law. The action scenes are very funny and well-done, especially the rooftop chase. The music score is appropriately clever and matches what's happening on screen. Real-life stunt man Chuck Bail has a good part as a stunt coordinator who shows Railsback the ropes. The editing techniques help blur the line between reality and make-believe. The film is a bit too long, though, and some key scenes go on longer than necessary. These are minor complaints, however, because a film like this doesn't get made very often anymore.
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