While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.Written by
John Vogel <email@example.com>
The car used in the main "driving off the bridge" scene is consistently described as a Duesenberg, but it has the well known Mercedes-Benz hood ornament. See more »
Well, talking of jail, would you be very upset if I asked just how many policemen are after you?
Me? I don't know what you are talking about.
The way you ran from the bridge, and the look on your face, and your charm bracelet. That's what I'm talking about. I suppose care to tell me what it is that you did?
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I will right off admit that this film is not my type of thing. I watched it because I'm a huge fan of Peter O'Toole's. I found it difficult to follow and disjointed despite some really fascinating scenes and some very good acting.
Steve Railsback plays a Vietnam vet named Cameron who escapes the police after he is caught for attempted murder. He crosses a bridge and dodges away from an old car that is out of control. The car disappears. Later on, he encounters a film about World War I being shot on the beach. The director is Eli Cross (O'Toole) who offers Cameron a job as a stunt man. It turns out that the stunt man was in the old car and drove the car off of the bridge as part of a scene being filmed, and drowned. The police are sniffing around, so O'Toole introduces Cameron as Burt, the missing stunt man, and the rest of the cast and crew play along.
Cameron learns a lot about stunts (as do we) and he falls for the film's leading lady (Barbara Hershey) who at one time was involved with Eli. Cameron over time becomes increasingly paranoid and believes that the manipulative, kind of crazy Eli wants to kill him.
O'Toole, Railsback, and Hershey are all excellent -- we first see Hershey in an old lady mask and clothing. Throughout the film, she is beautiful, silly, and flighty as Nina Franklin, and intense and committed as the character Nina plays. O'Toole is madcap, and doesn't seem to care what happens to anyone as long as he gets the shot he wants, and one can see how Cameron would be unclear about his motives.
The print I saw didn't look particularly good - I wonder about the budget for this film. I think a good deal of the budget went to O'Toole and some of those amazing stunts, as the film has a lot of TV actors in it -- all good, but TV actors nevertheless: Alex Rocco, Sharon Farrell, Allen Garfield.
This film is a little hard to follow, but it's a good one about the value of perception and how it can change from person to person. Also, the ending is very satisfying.
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